As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.
Arnold HauserRelated topics
art baroque christian common denominator different gothic middle outlook possible sight spread universal western worldviewRelated quotes
It always demands a far greater degree of courage for an individual to oppose an organized movement than to let himself be carried along with the stream - individual courage, that is, a variety of courage that is dying out in these times of progressive organization and mechanization. During the war practically the only courage I ran across was mass courage, the courage that comes of being one of a herd, and anyone who examines this phenomenon more closely will find it to be compounded of some very strange elements: a great deal of vanity, a great deal of fear - yes, fear of staying behind, fear of being sneered at fear of independent action, and fear, above all, of taking up a stand against the mass enthusiasm of one's fellows.
Stefan Zweig
It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..
Franz Marc
Real national unity sprang from the things which we had in common; the greater that common interest, the stronger the nation in peace as well as in war. It is because in this country we all enjoyed freedom of speech, freedom of conscience, and the right to choose and change our Governments that we were united. The continent of Europe had fallen before Hitler because of its disunity. By playing on the rivalries and jealousies of the nations he had divided them and devoured them in detail. There was not enough realization of the common interest of all in our civilization to overcome sectional ambitions and fears. Had Europe been united in spirit the Nazi monster would have been strangled at birth.
Clement Attlee
Medieval Islam was a religion of remarkable tolerance for its time, allowing Jews and Christians the right to practise their inherited beliefs, and setting an example which was not, unfortunately, copied for many centuries in the West. The surprise, ladies and gentlemen, is the extent to which Islam has been a part of Europe for so long, first in Spain, then in the Balkans, and the extent to which it has contributed so much towards the civilisation which we all too often think of, wrongly, as entirely Western. Islam is part of our past and our present, in all fields of human endeavour. It has helped to create modern Europe. It is part of our own inheritance, not a thing apart.
Charles III
[The Constructive idea.. ] has revealed a universal law that the elements of a visual art such as lines, colours, shapes, possess their own forces of expression independent of any association with the external aspects of the world; that their life and action are self-conditioned psychological phenomena rooted in human nature; that those elements are not chosen by convention by any utilitarian or other reason as words and figures are, they are not merely abstract signs, but they are immediately and organically bound up with human emotions. The revelation of this fundamental law has opened up a vast field in art giving the possibility of expression to those human impulses and emotions which have been neglected.
Naum Gabo