[The Constructive idea.. ] has revealed a universal law that the elements of a visual art such as lines, colours, shapes, possess their own forces of expression independent of any association with the external aspects of the world; that their life and action are self-conditioned psychological phenomena rooted in human nature; that those elements are not chosen by convention by any utilitarian or other reason as words and figures are, they are not merely abstract signs, but they are immediately and organically bound up with human emotions. The revelation of this fundamental law has opened up a vast field in art giving the possibility of expression to those human impulses and emotions which have been neglected. (Naum Gabo)

[The Constructive idea.. ] has revealed a universal law that the elements of a visual art such as lines, colours, shapes, possess their own forces of expression independent of any association with the external aspects of the world; that their life and action are self-conditioned psychological phenomena rooted in human nature; that those elements are not chosen by convention by any utilitarian or other reason as words and figures are, they are not merely abstract signs, but they are immediately and organically bound up with human emotions. The revelation of this fundamental law has opened up a vast field in art giving the possibility of expression to those human impulses and emotions which have been neglected.

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abstract action art bound convention field fundamental giving human idea law nature possibility reason universal utilitarian vast visual words colours

Related quotes

Approaching it in one way, I see no essential difference between a line one calls 'abstract' and a 'fish'. But rather an essential likeness. This isolated line and the isolated fish alike are living beings with forces peculiar to them, though latent. They are forces of expression for these beings and of expression on human beings, because each has an impressive 'look' which manifests itself by its expression. But the voice of these latent forces is faint and limited. It is the environment of the line and the fish that brings about a miracle: the latent forces awaken, the expression becomes radiant... The environment is the composition. The composition is the organized sum of the interior functions (expressions) of every part of the work.

Wassily Kandinsky

It always demands a far greater degree of courage for an individual to oppose an organized movement than to let himself be carried along with the stream - individual courage, that is, a variety of courage that is dying out in these times of progressive organization and mechanization. During the war practically the only courage I ran across was mass courage, the courage that comes of being one of a herd, and anyone who examines this phenomenon more closely will find it to be compounded of some very strange elements: a great deal of vanity, a great deal of fear - yes, fear of staying behind, fear of being sneered at fear of independent action, and fear, above all, of taking up a stand against the mass enthusiasm of one's fellows.

Stefan Zweig

Heathrow the next morning looked like one of those bad science fiction movies "set in the near future" after the security forces have taken over the state. Two armored personnel carriers were parked outside the terminal. A dozen men with Rambo machine guns and bad haircuts patrolled outside. Vast lines of passengers queued to be frisked and X-rayed, carrying their shoes in one hand and their pathetic tolietries in a clear plastic bag in the other. Travel is sold as freedom, but we were free as lab rats. This is how they'll manage the next holocaust, I thought, as I shuffled forward in my stockinged feet: they'll simply issue us with air tickets and we'll do whatever we're told.

Robert Harris (novelist)

As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.

Arnold Hauser

So, it is true that one's homeland is entirely human, emotional and that it is the root of action, of authority, of responsibility from which one can build Europe. What elements? Well, [nation] States, because only States are valid, are legitimate, in this respect, in addition they are capable of... As I have already said and I repeat, that at the present time, there cannot be any other Europe than that of the States, apart of course from myths, fictions, parades. From this solidarity depends all hope of uniting Europe in the political field and in the field of defense, as in the economic field. From this solidarity depends, therefore, the destiny of Europe as a whole, from the Atlantic to the Urals.

Charles de Gaulle