Franz Marc quotes
Franz Marc was a German painter and printmaker, recognized as one of the key figures of German Expressionism. His vivid use of color and emotive depictions of animals became his artistic signature. He created influential works that continue to inspire generations of artists. Here are 42 of his quotes:
I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
Franz Marc
What relation has a 'doe' to our picture of the world? Does it make any logical, or even artistic, sense, to paint the doe as it appears to our perspective vision, or in a cubistic form because we feel the world cubistically? It feels it as a doe, and its landscape must also be 'doe'... I can paint a picture: the roe; Pisanello has painted such. I can, however, also wish to paint a picture: 'the roe feels'. How infinitely sharper an intellect must the painter have, in order to paint this! The Egyptians have done it. The rose; Manet has painted that. Who has painted the flowering rose? The Indians..
Franz Marc
What appears spectral today will be natural tomorrow. Where are such signs and works? How do we recognize the genuine ones? Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times... The present isolation of the rare, genuine artist is absolutely unavoidable for the moment... This fact leads us to the idea that we are standing today at the turning point of two long epochs, similar to the state of the world fifteen hundred years ago, when there was also a transitional period without art and religion - a period in which great and traditional ideas died and new and unexpected ones took their place.
Franz Marc
The people itself ( and I do not mean the 'masses') has always given art its essential style. The artist merely clarifies and fullfils the will of the people. But when the people does not know what it wants, or worst of all, wants nothing.... then its artists, driven to seeking their own forms, remain isolated, and become martyrs... Folk art – that is, the feeling of people for artistic form – can arise again only when the whole jumble of worn-out art concepts of the nineteenth century has been wiped from the memory of generations.
Franz Marc
In this time of the great struggle for a new art we fight like disorganized 'savages' against an old, established power. The battle seems to be unequal, but spiritual matters are never decided by numbers, only by the power of ideas. The dreaded weapons of the 'savages' are their new ideas. New ideas kill better than steel and destroy what was thought to be indestructible.
Franz Marc
![A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting.. (Franz Marc)](https://cdn.quotesdtb.com/img/quotes_images_webp/53/franz-marc-adherence-audience-854453.webp)
Art today is moving in directions of which our forebears had no inkling; the Horsemen of the Apocalypse are heard galloping through the air; artistic excitement can be felt all over Europe – new artists are signalling to one another from all sides; a glance, a touch of the hand, is enough to convey understanding.
Franz Marc
There is something impressive and mystical about the artillery battles... I still do not think differently about the war... It simply seems to me feeble and lifeless to consider it vulgar and dumb. I dream of a new Europe, I.... see in this war the healing, if also gruesome, path to our goals; it will purify Europe, and make it ready... Europe is doing the same things to her body France did to hers during the Revolution.... the war is not turning me into a realist – on the contrary: I feel so strongly the meaning which hovers behind the battles, behind every bullet, so that the realism, the materialism disappears completely. Battles, wounds, motions, all appear so mystical, unreal..
Franz Marc
Dear August... I want to start like a child, to express my impression in front of nature with three colors and a few lines, and then add to forms and colors, where it requires the expression, that the working process is only a dedication, and never a removal. Only we painters know how stupidly difficult this is.
Franz Marc
The art of the future will give form to our scientific convictions; this is our religion and our truth, and it is profound and weighty enough to produce the greatest style and the greatest revaluation of form that the world has ever seen. Today, instead of using the laws of nature as a means of artistic expression, we pose the religious problems of a new content. The art of our time will surely have profound analogies with the art of primitive periods long past, without of course, the formalistic similarities now senselessly sought by many archaist artists [Marc rejects abstraction of Cubism, among others]. And our time will just as surely be followed in some distant, ripe, late European future by another period of cool maturity, which in its turn will again set up its own formal laws and traditions. [written at the front of World War 1.
Franz Marc
![I walked [along impressionist paintings in the Paris' museums, 1907] like a roe-deer in an enchanted forest, for which it has always yearned. (Franz Marc)](https://cdn.quotesdtb.com/img/quotes_images_webp/65/franz-marc-forest-impressionist-956365.webp)
The day is not far distant on which Europeans – the few Europeans who will still remain – will suddenly become painfully aware of their lack of formal concepts. Then will these unhappy people bewail their wretched state and become seekers after form. They will not seek the new form in the past, in the outward world, or in the stylized appearances of nature, but they will build up their form from within themselves, in the light of their new knowledge that turned the old world fable into a world form, and the old world view into a world insight. [written at the front of World War 1.
Franz Marc
It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..
Franz Marc
Franz Marc
Occupation: German Artist
Born: February 8, 1880
Died: March 4, 1916
Quotes count: 42
Related authors
