Baroque Quotes
I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete.... This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.
Oscar Niemeyer
Feminism, for all its boasts, has not found a single major female painter or sculptor to add to the canon. It did revive the reputations of many minor women, like Frida Kahlo or Romaine Brooks. Mary Cassatt, Georgia O'Keeffe, and Helen Frankenthaler were already known and did not need rediscovery. Artemisia Gentileschi was simply a polished, competent painter in a Baroque style created by men.
Camille Paglia
America is a much newer experiment in human living, one with moral concerns at its core. In this respect it differs from Europe, which has preferred sophistication and worldly wisdom to "righteousness," and resembles China, which saw the universe itself as essentially a moral order. However materialistic Americans may be in their economic pursuits, their ceremonies emphasize the material far less than European societies have. America has imposing official architecture. Washington, D. C., boasts a radial baroque stateliness. Yet one of its most important buildings, the White House, is a modest dwelling, its scale far smaller than that of the palaces of Europe and Asia.
Yi-Fu Tuan
Is Spinoza baroque? No, but if we find, through this line of thinking, a spurious and worn-out figure that rejects the crisis, that repeats the utopia in its ingenuous Renaissance form, what we have found is merely Spinozism. When classical idealism takes up Spinoza, in effect it only takes up (or invents?) Spinozism, a Renaissance philosophy of the bourgeois revolution of the capitalist market!
Baruch Spinoza
As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.
Arnold Hauser
It is understandable then that tragic heroes, unlike the baroque characters who had preceded them, could never be mad, and that inversely madness could never take on the tragic value we have known since Nietzsche and Artaud. In the classical epoch, tragic characters and the mad face each other without any possible dialogue or common language, for the one can only pronounce the decisive language of being, where the truth of light and the depths of night meet in a flash, and the other repeats endlessly an indifferent murmur where the empty chatter of the day is cancelled out by the deceptive lies of the shadows.
Michel Foucault
In appearance and behaviour, Norbert Wiener was a baroque figure, short, rotund, and myopic, combining these and many qualities in extreme degree. His conversation was a curious mixture of pomposity and wantonness. He was a poor listener. His self-praise was playful, convincing and never offensive. He spoke many languages but was not easy to understand in any of them. He was a famously bad lecturer.
Hans Freudenthal
