It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus.. (Franz Marc)

It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..

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art book century characteristic country daily defiance die early era increase marc mass middle needs nineteenth nothing possession prophet religion romanticism times work works Kandinsky

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Every change in the social order, every revolution in property relations, is the necessary consequence of the creation of new forces of production which no longer fit into the old property relations. Private property has not always existed. When, towards the end of the Middle Ages, there arose a new mode of production which could not be carried on under the then existing feudal and guild forms of property, this manufacture, which had outgrown the old property relations, created a new property form, private property. And for manufacture and the earliest stage of development of big industry, private property was the only possible property form; the social order based on it was the only possible social order.

Friedrich Engels

As we focus on destroying ISIL, over-the-top claims that this is World War III just play into their hands. Masses of fighters on the back of pickup trucks and twisted souls plotting in apartments or garages pose an enormous danger to civilians and must be stopped. But they do not threaten our national existence. That's the story ISIL wants to tell; that's the kind of propaganda they use to recruit. We don't need to build them up to show that we're serious, nor do we need to push away vital allies in this fight by echoing the lie that ISIL is representative of one of the world's largest religions. We just need to call them what they are - killers and fanatics who have to be rooted out, hunted down, and destroyed.

Barack Obama

With the invention of printing, mass standardized culture had become possible. With the inventions of photography and then cinema, the standardization of popular culture began to progress geometrically and its rate of change slowed down. In addition, the complete documentation of daily life made possible by these technological advances presented the mass of humanity, for the first time in history, with a mirror in which to regard itself. Less and less had it been able to look away, as its own image became more detailed and perfect, especially with the burden of information that became available at the end of the twentieth century. What this meant, in practical terms, was that retro was the only fashion.

Kage Baker

For my own part I am deeply convinced that all excess in the public expenditure beyond the legitimate wants of the country is not only a pecuniary waste-for that is a comparatively trifling matter-but a great political and a great moral evil. It is a characteristic of the mischief which arise from financial prodigality, that they creep onwards with a noiseless and surreptitious step; that they are unseen and unfelt until they have reached a magnitude absolutely overwhelming, and then at length, we see them, as perhaps they now exist in the case of one at least among the great European nations, so fearful and menacing in their aspect that they seem to threaten the very foundations of national existence.

William Ewart Gladstone

We ought to be able to see more clearly just for what reason the mass-man is so easily turned into a fanatic. What I seem to myself to have grasped is this, that such permeability is due to the fact that man, that the individual, in order to belong to the mass, to be a mass-man, has had, as a preliminary, though without having had the least awareness of it, to divest himself of that substantial reality which was linked to his initial individuality or rather to the fact of his belonging to a small actual group. The incredibly sinister role of the press, the cinema, the radio, has consisted in passing that original reality through a pair of flattening rollers to substitute for it a superimposed pattern of ideas and images with no real roots in the deep being of the subject of this experiment.

Gabriel Marcel