Mimicking Quotes
It might be my favorite book of mine. It was a very exciting time in my life. I was writing that book while I was at college. Sort of like the best of times, the worst of times. There was a lot of elation, there was a lot of despair. It was just a really fun book to write. I loved mimicking all the different voices. The stream of conscious does get a little out of hand. I kind of like that about the book. It's kind of all over the place. It's casual. It's scruffy. That's the one book of mine that I have a very, very soft spot for.
Bret Easton Ellis
Trump (Donald) denied knowing that Serge (Kovaleski) was disabled, and demanded an apology, saying that anyone could see his imitation was of a flustered, frightened reporter, not a disabled person. It's true that Trump was not mimicking any mannerisms that Serge has. He doesn't jerk around or flail his arms. He's not retarded. He sits calmly, but if you look at his wrists, you'll see they are curved in. That's not the imitation Trump was doing-he was doing a standard retard, waving his arms and sounding stupid: "'Ahhh, I don't know what I said-ahhh, I don't remember!' He's going, ‘Ahhh, I don't remember, maybe that's what I said!'”.
Ann Coulter
"Travel in the old ruts,” quotes my friend Meredith; some ancient Chinese maxim. The way lain down by elders. Pathways through the world, pathways through the mind-it's a shame that these days we so seldom have a guide. That our atomized worldview, mimicking scientific doctrine, sees us as separate, distinct, alone, orbiting in space, touching only an infinite void.
Russell Brand
If assets are priced rationally, variables that are related to average returns, such as size and book-to-market equity, must proxy for sensitivity to common (shared and thus undiversifiable) risk factors in returns. The time-series regressions give direct evidence on this issue. In particular, the slopes and R2 values show whether mimicking portfolios for risk factors related to size and [book-to-market] capture shared variation in stock and bond returns not explained by other factors.
Eugene Fama
The show is called 'Wind'. I tried here to make work which looks like wind, and it is the most difficult thing to do; I was thinking of Leonardo da Vinci – as he was, for instance, always wanting to fly. And then, this hand of Michael Jackson is like 'ffffffff', 'I'm leaving' (makes gesture with her hand and mouth in the mirror in the hallway of the gallery, mimicking the action that Jackson is depicted making on the invitation card of her show - Simon Denny). Not in a sad way, but.... in a way a little bit sad too. And then I said 'Isa Genzken', because I always liked him so much. For instance, I would always have jackets like this one. This is my favourite kind of style, and so I said 'ffff' [blowing gesture] 'Now I'm coming'... It's like 'don't be afraid, don't be sad, you know... I'm here.
Isa Genzken
Count de Monet [consistently mispronounced as "count da money"]: Bearnaise, do we have any of those delicious raisins left?
Bearnaise: You ate yours. These are mine.
Count de Monet: Au contraire, they are mine! I paid for them! Hand them over!
Bearnaise [sotto voce, mimicking]: 'I paid for them! They're mine!'
Mel Brooks
Count de Monet [consistently mispronounced as "count da money"]: Bearnaise, do we have any of those delicious raisins left?
Bearnaise: You ate yours. These are mine.
Count de Monet: Au contraire, they are mine! I paid for them! Hand them over!
Bearnaise [sotto voce, mimicking]: 'I paid for them! They're mine!' [Blows a raspberry]
Count de Monet: Don't be saucy with me, Bearnaise.
Mel Brooks