Tights Quotes - page 2
The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.
Frank Miller
It is both painful and shameful to be a slave. But it is even more distressing and painful to acknowledge that our slavery is necessary and normal and that it is a natural phenomenon. A great sin rests on our souls. We have inherited it but are not responsible for it. We are keeping our inheritance unjustly. Like a heavy rock it pushes us to the bottom, and with it around our necks we cannot swim. WE are slaves because our forefathers sold their human dignity for inhuman rights which we now enjoy. We are slaves because we are the masters. We are slaves because we are nobles, that is, nobles without any faith in our tights. We are slaves because we hold our brothers in slavery. They are our equals in birth, blood and language. We will never enjoy freedom as long as the wretched conditions of serfdom oppress us and as long as the hideous shameful, and totally unjust slavery of our peasants exists among us.
Alexander Herzen
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
Artie Lange
[After leaving the w:Exposition Universelle (1855) ].. .I went to the Courbet exposition. He has reduced the price of admission to ten sous. I stayed there alone for nearly one hour and discovered a masterpiece in the picture, they rejected [the jury of the official Salon exhibition in Paris]. I simply could not tear myself away from the sight of it.. ..In [Courbet's painting 'The Studio'] the planes are well understood. There is atmosphere, and in some passages the execution is really remarkable, especially the tights and hips of the nude model and the breasts.. .The only fault is that the picture, as he painted it, seems to contain an ambiguity. It looks as though there were a real sky in the middle of the painting. They [The Salon-jury] have rejected one of the most remarkable works of our time, but Courbet is not the man to be discouraged by a little thing like that.
Gustave Courbet