Dissonance Quotes
If one is to take Lulu's twelve-tone chord as the integral totality of complementary harmony, then Berg's allegorical genius proves itself within a historical perspective which makes the brain reel: just as Lulu in the world of total illusion longs for nothing but her murderer and finally finds him in that sound, so does all harmony of unrequited happiness long for its fatal chord as the cipher of fulfillment - twelve-tone music is not to be separated from dissonance. Fatal: because all dynamics come to a standstill within it without finding release. The law of complementary harmony already implies the end of the musical experience of time, as this was heralded in the dissociation of time according to Expressionistic extremes.
Theodor Adorno
Contrast = dissonance, and hence a maximum expressive effect. I will take as an example a commonplace subject: the visual effect of curled and round puffs of smoke rising between houses. You want to convey their plastic value.. .Here you have the best example on which to apply research into multiplicative intensities. Concentrate your curves with the greatest possible variety without breaking up their mass; frame them by means of the hard, dry relationship of the surfaces of the houses, dead surfaces that will acquire movement by being colored in contrast to the central mass and being opposed by live forms; you will obtain a maximum effect.
Fernand Léger
![You'll be pleased to hear, Christopher, that I am no longer a Muslim liberal but an atheist [.... ] I find that it obviates the necessity for any cognitive dissonance. (Ayaan Hirsi Ali)](https://cdn.quotesdtb.com/img/quotes_images_webp/16/ayaan-hirsi-ali-atheist-262016.webp)
A culture where a) little girls are gang raped b) raped little girls are murdered in order to protect the community's honour is dark barbarism of such an extent that is difficult for a Western person to understand. Further cognitive dissonance is caused for the tolerantly aware by maintaining their faith in the wonderfulness of the Islamic culture and, in general, the equality of all cultures. That's why discussion of the actual subject is avoided like the plague, and attention is moved to something that has nothing at all to do with the subject, for example, to the under-representation of women in stock-listed companies, or domestic violence.
Jussi Halla-aho
At the moment there is a great tendency in painting to discover the 'new' harmony by constructive means whereby the rhythmic is built on an almost geometric form... I am certain that our own modern harmony is not to be found in the 'geometric' way, but rather in the anti-geometric, anti-logical way. And this way is that of 'dissonance in art', in painting, therefore, just as much as in music. And 'today's' dissonance in painting and music is merely the consonance of 'tomorrow.
Wassily Kandinsky
Doubts about the existence of free will and individuals are nothing new, of course. More than 2,000 years ago thinkers in India, China and Greece argued that ‘the individual self is an illusion'. Yet such doubts don't really change history much unless they have a practical impact on economics, politics and day-to-day life. Humans are masters of cognitive dissonance, and we allow ourselves to believe one thing in the laboratory and an altogether different thing in the courthouse or in parliament. Just as Christianity didn't disappear the day Darwin published On the Origin of Species, so liberalism won't vanish just because scientists have reached the conclusion that there are no free individuals.
Yuval Noah Harari
The title [of an album with prints of Israels and poems after his pictures, made by Nicolaas Beets ] will not be I hope 'Kroost der zee' ['Offspring of the Sea']. I think this is an insufferable dissonance. Call it 'Sketches from Fisher's life - of B to J.' I think that is the best, the simplest and the most attractive name. Also the word 'to' gives me justice, otherwise people will think that I made them [his pictures] after Beets and not Beets [his poems] after me.
Jozef Israëls
A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..
Franz Marc
My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
J Tillman
