Contrast = dissonance, and hence a maximum expressive effect. I will take as an example a commonplace subject: the visual effect of curled and round puffs of smoke rising between houses. You want to convey their plastic value.. .Here you have the best example on which to apply research into multiplicative intensities. Concentrate your curves with the greatest possible variety without breaking up their mass; frame them by means of the hard, dry relationship of the surfaces of the houses, dead surfaces that will acquire movement by being colored in contrast to the central mass and being opposed by live forms; you will obtain a maximum effect.
Fernand LégerRelated topics
best breaking central colored commonplace concentrate contrast dead dissonance example expressive frame hard live mass maximum plastic possible research rising round smoke take value visual meansRelated quotes
As to the issues on which we part ways with the Committee, I have already stated that our reviews indicate that the detention and interrogation program produced useful intelligence that helped the United States thwart attack plans, capture terrorists, and save lives. But let me be clear. We have not concluded that it was the use of EITs (Enhanced interrogation techniques) within that program that allowed us to obtain useful information from detainees subjected to them. The cause and effect relationship between the use of EITs and useful information subsequently provided by the detainee is, in my view, unknowable.
John O. Brennan
To avoid an arbitrary discretion in the Courts, it is indispensable that they should be bound down by strict rules and precedents, which serve to define and point out their duty in every particular case that comes before them; and it will readily be conceived from the variety of controversies which grow out of the folly and wickedness of mankind, that the records of those precedents must unavoidably swell to a very considerable bulk, and must demand long and laborious study to acquire a competent knowledge of them. Hence it is, that there can be but few men in the society, who will have sufficient skill in the laws to qualify them for the stations of Judges.
Alexander Hamilton
Cubism taught me much and the principle of Pissarro, furthered by Seurat, taught me more. These with Cezanne are the great logicians of color.
No one will ever paint like Cezanne for example, because no one will ever have his peculiar visual gifts; or to put it less dogmatically, will anyone ever appear again with so peculiar and almost unbelievable a faculty for dividing color sensations and making logical realizations of them? Has anyone ever placed his color more reasonably with more of a sense of time and measure than he? I think not, and he furnished for the enthusiast of today new reasons for research into the realm of color for itself.
Marsden Hartley
I would suggest... the idea of a work which should have for its object the analytic examination of the development of our intellectual faculties for each age. Now, I have aimed to present, in the work here reproduced, only an essay, only a particular example, of such an analysis, "which tends to show that the maximum of energy of the passions occurs about the age of twenty-five." The minimum is not then determined; and even when it shall be, by a sufficient number of observations, one will no more be able to apply it to any given individual in particular, than one could make use of a table of mortality to determine the period of his decease.
Adolphe Quetelet
In all cases, wherein the mind feels itself in danger of being confounded by variety, it is sure to rest upon a few strong points, or perhaps upon a single instance. Amongst a multitude of proofs, it is one that does the business. If we observe in any argument, that hardly two minds fix upon the same instance, the diversity of choice shows the strength of the argument, because it shows the number and competition of the examples. There is no subject in which the tendency to dwell upon select or single topics is so usual, because there is no subject, of which, in its full extent, the latitude is so great, as that of natural history applied to the proof of an intelligent Creator.
William Paley