Andy Quotes - page 2
I always said I'd never go to New York until someone pays me-because I've seen people come back from New York like desiccated, broken... New York is a tough place if you're coming out of Port Authority or from Oregon, and they were paying me 356 dollars a day to be on the set [of Sid and Nancy] so that was really wonderful. Then I did Straight To Hell which went straight to video (but) then Andy Warhol noticed me from those two films. Then I got to be in Interview magazine and I got this little measure of celebrity, but with no money (laughs) that sucks... (but) it feels great if you've been wanting it. A lot of people like to say, ‘oh I didn't ask for this, it just happened. I'm the luckiest guy in the world...' I always wanted it.
Courtney Love
When I started going around with Andy people thought I had a press agent. I didn't. After a while I got sort of paranoid about all the publicity, and I holed up in my apartment and cut off the telephone for two months. I saw only two people. Then I felt ready to go out again. I want to do more acting. I like it, but it's hard - the long hours, getting the lines straight, I didn't have to do that with Andy.
Edie Sedgwick
I had no money. My parents closed down all credit. I couldn't get any money, and they were trying to lock me up again because I'd taken some acid and told my psychiatrist about it. I just told him what the experience was like and he jumped, and at the same time he read about Andy Warhol's "pornographic" movies in Time. I was in the studio a lot, so my psychiatrist got really upset and called my parents and was gonna have me put away, so I ran away to Europe with Andy and Chuck.
Edie Sedgwick
I do love Alice in Wonderland though, that's something I think I could do very well. Don't you think we ought to do an A.W.? A.W.'s Alice in Wonderland? Andy Warhol's Alice in Wonderland? A.W. stands for a lot of things, I understand. It, uh, it would make a fantastic film. So I wanted somebody to write the script for it, in a modern sense. I think it would be the most marvelous movie in the world, if it could be done. Don't you think? Really, I don't think they've done one since they did a Walt Disney one - which isn't really doing it. In a sense it is, but not in the way it really should be done. What's needed right now is a real scene. I mean not just cartoon characters, but the actual character of people because there's so many fantastic people that you might as well use the people.
Edie Sedgwick
When Andy [Andrew Wood] died, I couldn't listen to his songs for about two years after that, and it was for that reason - his lyrics often seem as though they can tell that story. But then again, my lyrics often could tell the same one. In terms of seeing everything as a matter of life and death - if that's what you're feeling at the time, then that's what you're going to write. It's sort of a morbid exchange when somebody who is a writer like that dies, and then everyone starts picking through all their lyrics. In Kurt [Cobain]'s case, whatever he was thinking and whatever he was writing, there wasn't an arrow pointing at what his demise was. It's a stream of thought, it's a possibility - it's definitely something that somebody was feeling when they were writing. It doesn't mean that it's going to happen. But it doesn't necessarily mean that it isn't, either.
Chris Cornell
Maybe Kurt [Cobain] meant it [to mention suicide in his lyrics]; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.
Chris Cornell
With all that's been written about Temple of the Dog recently, it's reminded me of the original meanings of those songs. Say Hello 2 Heaven, for example, was one of the songs I wrote directly for Andy Wood and the amount of times someone has requested I play that song for someone else who's died have been numerous. That's great that it's become this anthem that makes somebody feel some comfort when they've lost someone, but recently I've become a little more possessive of the idea that this song was actually written for a specific guy and I haven't forgotten that person. So I've been reminding myself and those in the audience where that song came from.
Chris Cornell
It was given to me by the late Shannon Hoon, who fashioned it out of a fork he got in Denny's (a US fast food chain) on the first tour Blind Melon ever did, which was opening for us. I really liked it, but I stopped wearing it after he died. Because the other thing I wore was this ring that belonged to Andy Wood, who died. It's like, 'I don't wanna wear these f**king things from people who died.' A girl outside the hotel tonight had a similar fork, and I've had people throw them on-stage. I've seen hundreds of those forks, but it always reminds me of Shannon. They're making them cos they're thinking of me, but really it's him. Which is cool.
Chris Cornell
Right after Andy died, we [Soundgarden] went to Europe, and it was horrible, because I couldn't talk about it, and there was no one who had loved him around. I wrote two songs, "Reach Down" and "Say Hello 2 Heaven". That was pretty much how I dealt with it. When we came back, I recorded them right away. They seemed different from what Soundgarden naturally does, and they seemed to fit together. They seemed like music he would like. I got the idea to release them as a single, and to get at least Stone and Jeff, or all of Love Bone, to play on it. I had the idea for a couple days, then, with an artist's lack of self-confidence, I decided it was a stupid idea. Somehow those guys heard the tape, and they were really, really excited. Stone and Jeff and our drummer, Matt, had been working on a demo for what ended up being Pearl Jam, so we had the idea that we would make an EP or a record, and maybe even do some of Andy's solo songs.
Chris Cornell
I am not a comic, I have never told a joke...The comedian's promise is that he will go out there and make you laugh with him...My only promise is that I will try to entertain you as best I can....They say, 'Oh wow, Andy Kaufman, he's a really funny guy.' But I'm not trying to be funny. I just want to play with their heads."
Andy Kaufman
About the cover of "The world wont' listen"
It represents the band to me. On the front you've got four guys who look like, if not the band, then Smiths fans. On the back you've got the female side of it - individually they really look like the Smiths: Morrissey on the far right, me on the second right, Andy [Rourke, bass] on the second left and Mike [Joyce, drums] on the far left. To find a picture like that is really clever. We didn't discuss it, but I understood.
Johnny Marr
Andy and his little gang of bearded apes have made it clear that they intend to patrol the streets of London enforcing Sharia and preventing people going about their lawful business. I'll be interested to see how that works out for them. I've known a few Eastenders in my time, and I can't think of anyone - with the possible exception of Geordies (that's people from Newcastle) - who are less likely to tolerate having their pint of beer, their betting shop and their song and dance interfered with by a bunch of puffed-up bearded blowfish in pyjamas. And that's just the women.
Pat Condell
And he (Andy Van Dam) put his arm around my shoulders and we went for a little walk and he said, Randy, it's such a shame that people perceive you as so arrogant. Because it's going to limit what you're going to be able to accomplish in life. What a hell of a way to word "you're being a jerk." [laughter] Right? He doesn't say you're a jerk. He says people are perceiving you this way and he says the downside is it's going to limit what you're going to be able to accomplish.
Randy Pausch