When Andy [Andrew Wood] died, I couldn't listen to his songs for about two years after that, and it was for that reason - his lyrics often seem as though they can tell that story. But then again, my lyrics often could tell the same one. In terms of seeing everything as a matter of life and death - if that's what you're feeling at the time, then that's what you're going to write. It's sort of a morbid exchange when somebody who is a writer like that dies, and then everyone starts picking through all their lyrics. In Kurt [Cobain]'s case, whatever he was thinking and whatever he was writing, there wasn't an arrow pointing at what his demise was. It's a stream of thought, it's a possibility - it's definitely something that somebody was feeling when they were writing. It doesn't mean that it's going to happen. But it doesn't necessarily mean that it isn't, either.
Chris CornellRelated topics
arrow case death everyone everything listen matter mean possibility reason seeing somebody something sort story stream tell thought thinking whatever wood write years andyRelated quotes
In 1966 there was a Scripture Rally in Trafalgar Square. A widower, Mr. Honick, went to it. He was about 63. A widow, Mrs. Rawnsley, also went. She was about 60. He went up to her and introduced himself. He was not much to look at. "He looked like a tramp," she said. "He has been picking up fag ends." They got on well enough, however, to exchange addresses. His was 36 Queen's Road, Waltham Cross, Hertfordshire. Hers was 74 Downton Avenue, Streatham Hill, London, S.W.2. Next day he went to her house with a gift for her. It was a rose wrapped in a newspaper. Afterwards their friendship grew apace. She was sorry for him, she said. She smartened him up with better clothes. She had him to meals. She went to his house: he went to hers. They wrote to one another in terms of endearment. We were not shown the letters, but counsel described them as love letters.
Alfred Denning, Baron Denning
You have the opportunity to be more than spectators, you can be actors in the revolution, writing about it, expressing yourselves about it. And the generations to come, what will they ask of you? You might produce magnificent artistic works from a technical point of view, but if you were to tell someone from the future generation, 100 years from bow, that a writer, an intellectual, lived in the era of the revolution and did not write about the revolution, and was not a part of the revolution, it would be difficult for a person in the future to understand this. In the years to come there will be so many people who will want to paint about the revolution, to write about the the revolution, to express themselves on the revolution, compiling data an information in order to know what it was like, what happened, how we used to live.
Fidel Castro
Eating a vegan diet - it's just so much healthier - and you avoid a lot of toxins that could age your skin and your body. I really noticed a difference in my skin not too long after switching to fully vegan. ... The older I've gotten, the more it's occurred to me that I'm doing it in order to live longer, though the vanity component will always be there. ... I just told myself one day that I'm going to do it and I'm going to give myself eight weeks. And that I'm not going to commit on this for a lifetime because it's psychologically huge for people to wrap their minds around it. And I'm just going to see how I feel, I'm going to test my blood again and see if there's anything. Giving it that long you sort of get over the fact of feeling how big and difficult it is at the beginning. And if you really give yourself long enough to start feeling differently and sort of see the benefits then it will be great.
Michelle Pfeiffer
One rainy day in Cologne on the Rhine, the catalogue of a teaching aids company caught my attention. It was illustrated with models of all kind – mathematical, geometrical, anthropological, zoological, botanical, anatomical, mineralogical, paleontological, and so forth- elements of of such a diverse nature that the absurdity of the collection confused the eye and mind, producing hallucinations and lending the objects depicted new and rapidly changing meanings. I suddenly felt my 'visionary faculties' so intensified that I began seeing the newly emerged objects against a new background. To capture it, a little paint or a few lines were enough, a horizon, a sky, a wooden floor, that sort of things. My hallucination had been fixed. Now it was a matter of interpreting the hallucination in a few words or sentences Such as: 'Above the clouds midnight passes. Above midnight glides the invisible bird of day..
Max Ernst
I remember well a junior seminar I gave with Paul Tillich shortly before the outbreak of the Third Reich. A participant spoke out against the idea of the meaning of existence. She said life did not seem very meaningful to her and she didn't know whether it had a meaning. The very voluble Nazi contingent became very excited by this and scraped the floor noisily with their feet. Now, I do not wish to maintain that this Nazi foot-shuffling proves or refutes anything in particular, but I do find it highly significant. I would say it is a touchstone for the relation of thinking to freedom. It raises the question whether thought can bear the idea that a given reality is meaningless and that mind is unable to orientate itself; or whether the intellect has become so enfeebled that it finds itself paralysed by the idea that all is not well with the world.
Theodor Adorno