Right after Andy died, we [Soundgarden] went to Europe, and it was horrible, because I couldn't talk about it, and there was no one who had loved him around. I wrote two songs, "Reach Down" and "Say Hello 2 Heaven". That was pretty much how I dealt with it. When we came back, I recorded them right away. They seemed different from what Soundgarden naturally does, and they seemed to fit together. They seemed like music he would like. I got the idea to release them as a single, and to get at least Stone and Jeff, or all of Love Bone, to play on it. I had the idea for a couple days, then, with an artist's lack of self-confidence, I decided it was a stupid idea. Somehow those guys heard the tape, and they were really, really excited. Stone and Jeff and our drummer, Matt, had been working on a demo for what ended up being Pearl Jam, so we had the idea that we would make an EP or a record, and maybe even do some of Andy's solo songs.
Chris CornellRelated topics
bone came couple deal different fit went heaven idea lack matt music play pretty reach release right self-confidence single solo stone stupid talk tape working days demo jeff andyRelated quotes
Things started to go downhill. Instead of singing about taking tea with Mary Jane and boppin' your dingus on ol' Sweet Slit Annie it was Help me God I don't know the meaning of life or I believe that love is gonna cure the world of psoriasis and cancer both and I'm gonna tell the people all about it 285 different ways whether you like it or not. And Why is there war well go ask the children they know everything we need to know, and Gee I sure like black folks even if my own folks don't and endless vinyl floods of drivel in similar veins. At that point I started to pack in and resort back to my good old ' 66 goof squat rock. I got out records like 96 Tears by Question Mark and the Mysterians, who were mysterious indeed, and re-whooped to jungle juju cackles like "Wooly Bully," which is indescribable and was recorded by a bunch of guys who drove around in a hearse wearing turbans.
Lester Bangs
... Why Nimrod? Why that name?""
Ramrod straight, he looked down at her. ""I guess you skipped Bible studies at school. Genesis 10, verses 8 to 10: 'And Cush begat Nimrod: he began to be a mighty one in the earth... And the beginning of his kingdom was Babel, and Erech, and Accad, and-""
""Babel?""
""It was only generations after the flood of Noah. Chapter 11, verse 4. 'And they said, Go to, let us build us a city and a tower, whose top may reach unto heaven.'""
""But God struck them down when they built the tower.""
""Yes. But why? 11, 6. 'Now nothing will be restrained from them, which they have imagined to do.' That's what God said about mankind. He feared us, and so He struck us down. We have that verse up on the wall on big banners, to motivate the workforce. 'Nothing will be restrained from them, which they have imagined to do.'""
""Wow,"" Thandie said. ""You're challenging God?""
""Why the hell not?
Stephen Baxter
[bible_banging]But what we've got going wrong is we've got a kind of bifurcation [in cultural development]:
You take your classified telephone directory, and open up "Churches", and have a ruler in your hand. And you will find that the longest space is occupied by authoritarian, Bible-banging churches. And these people are barbarians, who take the written word of the Bible literally. Because they need terribly, they have a personal need, for something to depend on. ... The government realizes that there is a very large number of people like that; and therefore, to keep their votes, they have to pander to those kind of people. And these are the boys who never grew up; they always need Papa. ... The trouble is that the boys who need Papa, are violent. They have the guns. And they are the types of people who like to be soldiers, policemen - tough guys. And therefore they have a great deal of power.
Alan Watts
I began [to portray president Kennedy ] with fragmentary sketches-first in charcoal, then in casein, sometimes just heads, sometimes the whole figure. For the first session (during a Medicare conference), I sat on top of a 6-foot ladder to get an unimpeded view of him. Concentrating on bone structure, most of my first sketches of him made him look twenty years younger. This was also because the positions he assumed were those of a college athlete. I made about thirty sketches at the first session and rushed back to a big studio that had been turned over to me by the Norton Gallery, made further drawing combining different aspects, and finally, after a couple days, decided on the proportions and size of the first canvas-4 by 8 feet. In succeeding sessions of sketching, I was struck by the curious faceted structure of light over his face and hair-a quality of transparent ruddiness. This play of light contributed to the extraordinary variety of expressions.
Elaine de Kooning
Floating around the Internet these days, posted and e-mailed back and forth, are a number of writings attributed to me, and I want people to know they're not mine. Don't blame me.Some are essay-length, some are just short lists of one and two-line jokes, but if they're flyin' around the Internet, they're probably not mine. Occasionally, a couple of jokes on a long list might have come from me, but not often. And because most of this stuff is really lame, it's embarrassing to see my name on it.And that's the problem. I want people to know that I take care with my writing, and try to keep my standards high. But most of this "humor" on the Internet is just plain stupid. I guess hard-core fans who follow my stuff closely would be able to spot the fake stuff, because the tone of voice is so different. But a casual fan has no way of knowing, and it bothers me that some people might believe I'd actually be capable of writing some of this stuff.
George Carlin