Berlin Quotes - page 4
The duel went on for three days, but it ended in our victory in a matter of seconds. The German was well prepared for it. He had liquidated two Soviet snipers before that. But, with the help of my comrades-in-arms, also snipers whose positions were next to mine, I managed to slay him. I did not know what kind of sniper had been brought to Stalingrad, but when we pulled him out of his shelter we discovered that he was the chief of the school for snipers based in Berlin. On the whole I liquidated 242 Nazis in Stalingrad. My friends and pupils also eliminated many of them. I had trained 30 snipers who killed 1126 Nazis during the war.
Vasily Zaytsev
It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator. Paris is the cradle of artificial births. Rocking here in the cradle each one slips back into his soil; one dreams back to Berlin, New York, Chicago, Vienna, Minsk,. Vienna is never more Vienna than Paris. Everything is raised to its apotheosis. The cradle gives up its babes and new ones take their place. You can real here on the walls Zola lived and Balzac and Dante and Strindberg and everybody who ever was anything. Everyone has lived here some time or other. Nobody dies here...
Henry Miller
If I do not yet see the light of day it is because the scaffolding of London still blocks my view of the rising sun. And what worries me the most is that this scaffolding rests upon quicksand: the good faith of Germany, the good faith, not only of the present government in Berlin, but of all those governments that will follow it.
Raymond Poincaré
After the Berlin Wall came down I visited that city and I will never forget it. The abandoned checkpoints. The sense of excitement about the future. The knowledge that a great continent was coming together. Healing those wounds of our history is the central story of the European Union.
David Cameron
I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful - Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.
Vladimir Horowitz
We have reconfirmed the unity and firmness of our position, the position expressed in the Joint Communique of the four powers at Paris on December 14th. We do not accept any substitution of East Germans for the Soviet Union in its responsibilities toward Berlin and its obligations to us. We are resolved that our position in, and access to, West Berlin shall be preserved.
John Foster Dulles
We Europeans have to toil to achieve it, at least as a transitional stage, for it is what we feed our dreams upon. These Orientals [from India] have it in their blood, perhaps because they spend their lives I the sun. We poor wretched Europeans must sacrifice body and soul for even a shadow of it.. .It is not a question of trying to reproduce objective features, only of good practice for the fingers and for the perceptive faculty, and that too is very useful. You must have read how Van Gogh was always getting his brother to send him drawings to copy. And how Rembrandt used to copy Indian an Italian pictures. Not of course, because they were short of material, but to get 'du corps'. So one should be always drawing.. .Oh, you'd love the Indians. The pure, Aryan Indians, not those one could see in Berlin, whose forms had become rigid and sterile through mingling with the Chinese.
Ernst Ludwig Kirchner
The struggle for existence is very difficult here [Berlin! - in 1911 Kirchner and his Brücke-friends moved from Dresden to Berlin], but the possibilities are also greater. I hope that we can create a fruitful new school and convince many new friends of the value of our efforts.
Ernst Ludwig Kirchner
.. he [is Kirchner, writing about himself] was especially interested in the naturally naked human being. He knowingly broke the traditional manner of the nude study and created for himself in his studio [in his Brücke-years in Berlin] a circle of young women, whom he studied in their free movement. Thousands of drawings and hundreds of paintings and studies resulted from this. A beautiful, healthy, blossoming sensuality that never turns base emanates from these works.
Ernst Ludwig Kirchner
I am very happy and thankful to be 'here' [Switzerland] and to remain. Here I can at least work a little on my good days, and be at peace among these simple, kindly people. In this solitude I have fought my way through to the possibility of continuing to live, even suffering so much. My time for circuses, 'cocottes' and company is over [referring to his wild 'Brücke'-years in Berlin]. I made what I could out of it, and I do not think it had been done in that way before. Otherwise there is nothing to link me with those 'événements'. During my 7 years in Berlin I let the whole essence of that kind of thing seep into me so thoroughly that I now know it back to front, and can leave it. Now I have other tasks, and they lie here... I cannot go down again into the throng. I am more than ever afraid of crowds. But more still, my work here is only at the beginning of its possibilities.
Ernst Ludwig Kirchner
Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there [in Berlin, a stay for three weeks]. I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me... Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing.
Ernst Ludwig Kirchner
Berlin says: "... You cannot combine full liberty with full equality-full liberty for the wolves cannot be combined with full liberty for the sheep...." .... Are women sheep ("led like sheep to the slaughter")? Must women become wolves? Is violence against women a direct result of the fact that there is no inevitable, painful, retaliatory consequence for hurting women?
Andrea Dworkin
The implicit, or even explicit, offer made by authoritarians is stability in exchange for liberty. High oil prices allowed Putin to keep this bargain for a while, aided by an international community that lost interest in promoting liberty as soon as the Berlin Wall fell. Putin was welcomed by the G7 as an equal while destroying democracy and civil society at home. Imagine how difficult it was for us in Russia to attack Putin's regime as undemocratic while he was being embraced by the leaders of the free world. Even Putin's invasion of neighboring Georgia in August 2008 resulted in no censure or sanction. He was rewarded by Obama and Hillary Clinton's reset a few months later, confirming to him that a move into Ukraine would also go unchallenged.
Garry Kasparov