![Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there [in Berlin, a stay for three weeks]. I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me... Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing. (Ernst Ludwig Kirchner)](https://cdn.quotesdtb.com/img/quotes_images_webp/45/ernst-ludwig-kirchner-able-297245.webp)
Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there [in Berlin, a stay for three weeks]. I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me... Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing.
Ernst Ludwig KirchnerRelated topics
able berlin closer confirmation developing development encouragement far glad happy home intriguing now saw see sitting stay thing three value work working etc Durer Kandinsky Bauhaus Klee RembrandtRelated quotes
The people of South Dakota are taking the lead in the preparation of this memorial out of their meager resources, because the American spirit is strong among them. Their effort and courage entitles them to the sympathy and support of private beneficence and the national government. They realize fully that they have no means of succeeding in the development of their state except a strong reliance upon American institutions. They do not fail to appreciate their value. There is no power that can stay the progress of such a people. They are predestined to success. Our Country is fortunate in having the advantage of their citizenship. They have been pioneers in the development of their State. They will continue to be pioneers in the defense and development of American institutions.
Calvin Coolidge
Whether France or Italy or Germany or England has made the greatest contribution in the history of modern civilisation-however that speculative controversy may be settled, this at least is certain, that those are not wrong who hold that Germany's high and strict standard of competency, the purity and vigour of her administration of affairs, her splendid efforts and great success in all branches of science, her glories-for glories they are-in art and literature, and the fixed strength of character and duty in the German people entitle her national ideals to a supreme place among the greatest-ideals that now animate and guide the world. Do not let us forget all that. German ambition is a perfectly intelligible and even lofty ambition.
John Morley, 1st Viscount Morley of Blackburn
[While working beneath the cliff at Manneport, Normandy] I didn't see a huge wave coming; it threw me against the cliff and I was tossed about in its wake along with all my materials! My immediate thought was that I was done for, as the water dragged me down, but in the end I managed to clamber out on all fours, but Lord, what a state I was in! My boots, my thick stockings and my coat were soaked through. The palette which I had kept a grip on had been knocked over my face and my beard was covered in blue, yellow etc. But anyway, now the excitement is passed and no harm's done, the worst of it was that I lost my painting which was very soon broken up, along with my easel, bag etc. Impossible to fish anything out. Besides, everything was torn to shreds by the sea, that "old hag" as you sister calls her.
Claude Monet
Speaking purely for myself, I can say that it was my very acute feeling for the matière, for the substance of painting, which pushed me into thinking about the possibilities of the medium. I wanted to create a kind of substance by means of brush-work. But that is the kind of discovery which one makes gradually, though once a beginning had been made other discoveries follow. Thus it was that I subsequently began to introduce sand, sawdust and metal filings into my pictures. For I suddenly saw the extent to which colour is related to the substance... So my great delight was the 'material' character which I could give to my pictures by introducing these extraneous elements. In short, they provided me with a means of getting further away from idealism in 'representing' the things with which I was concerned.
Georges Braque
There was one artist who wrote as beautifully as he painted. That was Hokusai - He speaks for all artists, whether they are painters or not. [He wrote]: "I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy three I have at last caught every aspect of nature-birds, fish, animals, insects, trees, grasses, all. When I am eighty I shall have developed still further. And I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime, and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life."
Henry Miller