Secondary Quotes - page 4
If we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should become indeed the boonbringer, the culture hero of the day-a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i. e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung called "the archetypal images." This is the process known to Hindu and Buddhist philosophy as viveka, "discrimination."
Joseph Campbell
In secondary immigration, as I await processing, I sit with people for whom I imagine the experience is less of a novelty. To be blunt, non-white people. Mexican and Arabian people, mostly-I assume, I don't look at their passports; they don't have them, they're behind the desks with the border police, equally trapped and obese, behind the counter, often the same color as the people they're casually harassing. "Who does this notion of nation most suit,” I wonder as I sit there, unable to use my phone. Proper rich people don't encounter these rooms, these borders, these problems. For them the world is as it is when seen from space, without boundary, without limitation, full of fluid possibility and whispering wonder.
Russell Brand
When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.
Martin Amis
The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to "game stats.” If you take something like Cthulhu in Lovecraft, for example, it is completely incomprehensible and beyond all human categorization. But in the game Call of Cthulhu, you see Cthulhu's "strength,” "dexterity,” and so on, carefully expressed numerically. There's something superheroically banalifying about that approach to the fantastic. On one level it misses the point entirely, but I must admit it appeals to me in its application of some weirdly misplaced rigor onto the fantastic: it's a kind of exaggeratedly precise approach to secondary world creation.
China Miéville
It is not uncommon for intelligent adults to turn into passive observers of their own incompetence in anything but the most elementary mathematics. Individuals may see the direct consequences of this intellectual paralysis in terms of limiting job possibilities. But the indirect, secondary consequences are even more serious. One of the main lessons learned by most people in math class is a sense of having rigid limitations. They learn a balkanized image of human knowledge which they come to see as a patchwork of territories separated by impassable iron curtains.
Seymour Papert
The first thing to realize, if you wish to become a philosopher, is that most people go through life with a whole world of beliefs that have no sort of rational justification, and that one man's world of beliefs is apt to be incompatible with another man's, so that they cannot both be right. People's opinions are mainly designed to make them feel comfortable; truth, for most people is a secondary consideration.
Bertrand Russell
Let's face it. The bottom line of every E3 is simple: what's hot and what's not. Here's our take. What's hot is the feel of the game, the look is secondary. What's hot is the next leap, not just a small step. It's hot if it's disruptive, it's not if it's predictable. The future of our industry is inclusion, not exclusion. It's about the heat of emotion, not the chill of technology. We know that the future is right here. Wii and the DS represent the same thing: risk.
Reggie Fils-Aimé
This mysterious something has been called God, the Absolute, Nature, Substance, Energy, Space, Ether, Mind, Being, the Void, the Infinite-names and ideas which shift in popularity and respectabilitywith the winds of intellectual fashion, of considering the universe intelligent or stupid, superhuman or subhuman, specific or vague. All of them might be dismissed as nonsense-noises if the notion of an underlying Ground of Being were no more than a product of intellectual speculation. But these names are often used to designate the content of a vivid and almost sensorily concrete experience-the "unitive" experience of the mystic, which, with secondary variations, is found in almost all cultures at all times. This experience is the transformed sense of self which I was discussing in the previous chapter, though in "naturalistic" terms, purified of all hocus-pocus about mind, soul, spirit, and other intellectually gaseous words.
Alan Watts
Your Excellency undoubtedly has frequently had under consideration a proper position for winter-quarters. It is not always in the power of a General to take a position most favorable to his wishes, on ac count of provision and forage, or to place himself in the most advantageous point of view for covering the country and securing his capital posts. A certainty with respect to provision and forage is an object of the first consideration in taking a position. All inferior evils, of whatever nature, may, in some sort, be remedied by foresight and precaution; but there is no contending with hunger. Therefore, what would be considered only as secondary objects in some cases, become principals here.
Nathanael Greene
Departmental reorganization. One way to save public money would be to pass the pending bill for the reorganization of the various departments. This project has been pending for some time, and has had the most careful consideration of experts and the thorough study of a special congressional committee. This legislation is vital as a companion piece to the Budget law. Legal authority for a thorough reorganization of the Federal structure with some latitude of action to the Executive in the rearrangement of secondary functions would make for continuing economy in the shift of government activities which must follow every change in a developing country. Beyond this many of the independent agencies of the Government must be placed under responsible Cabinet officials, if we are to have safeguards of efficiency, economy, and probity.
Calvin Coolidge
In 1968 Ian Wilson made his final sculpture. Since then, he has explored the idea of oral communication as an art form... Wilson's work is very hard to track down, even in terms of documentation. He has been compared to the Socratic philosophers but if there is a similarity between his practice and theirs, it probably lies mainly in the fact that everything we have from that period of philosophy takes the form of secondary fragments embedded in other texts. Wilson's work functions almost like archaeological or geological evidence: it consists of objects that we examine in order to deduce, from scanty clues, what must have happened.
Edward Allington
"Education to personality" has become a pedagogical ideal that turns its back upon the standardized-the collective and normal-human being. It thus fittingly recognizes the historical fact that the great, liberating deeds of world history have come from leading personalities and never from the inert mass that is secondary at all times and needs a demagogue if it is to move at all. The paean of the Italian nation is addressed to the personality of the Duce, and dirges of other nations lament the absence of great leaders.
Carl Jung
And for the greatest movie artists where there is a unity of technique and subject, one doesn't need to talk about technique much because it has been subsumed in the art. One doesn't want to talk about how Tolstoi got his effects but about the work itself. One doesn't want to talk about how Jean Renoir does it; one wants to talk about what he has done. One can try to separate it all out, of course, distinguish form and content for purposes of analysis. But that is a secondary, analytic function, a scholarly function, and hardly needs to be done explicitly in criticism. Taking it apart is far less important than trying to see it whole. The critic shouldn't need to tear a work apart to demonstrate that he knows how it was put together. The important thing is to convey what is new and beautiful in the work, not how it was made - which is more or less implicit.
Pauline Kael