His [Diego Rivera's] supposed mythomania is in direct relation to his tremendous imagination. That is to say, he is as much of a liar as the poets or as the children who have not yet been turned into idiots by school or mothers. I have heard him tell all kinds of lies: from the most innocent, to the most complicated stories about people whom his imagination combined in a fantastic situation or actions, always with a great sense of humor and a marvelous critical sense; but I have never heard him say a single stupid or banal lie. Lying, or playing at lying, he unmasks many people, he learns the interior mechanism of others, who are much more ingenuously liars than he, and the most curious thing about the supposed lies of Diego, is that in the long and short of it, those who are involved in the imaginary combination become angry, not because of the lie, but because of the truth contained in the lie, that always comes to the surface.
Frida KahloRelated topics
children comes fantastic great innocent interior liar lie lying marvelous mechanism playing school sense short single situation stupid surface tell thing truth yet others lies diegoRelated quotes
But the most lasting agony of this war was suffered, not by the defeated, but by the victors. For when their passion had cooled the Americans could not easily disguise from themselves that they had committed murder. They were not at heart a brutal folk, but rather a kindly. They liked to think of the world as a place of innocent pleasure-seeking, and of themselves as the main purveyors of delight. Yet they had been somehow drawn into this fantastic crime; and henceforth an all-pervading sense of collective guilt warped the American mind. They had ever been vainglorious and intolerant; but now these qualities in them became extravagant even to insanity. Both as individuals and collectively, they became increasingly frightened of criticism, increasingly prone to blame and hate, increasingly self-righteous, increasingly hostile to the critical intelligence, increasingly superstitious.
Olaf Stapledon
A baby is shown sitting on the floor. He appears to be about a year and a half old. Incidentally, he is a very plain baby. Strewn about him on the floor are the toys that he has been playing with. There are a ball, a rattle, a ring, a doll, a bell and a pair of roller-skates. Evidently, the candidate is supposed to be aghast at the roller-skates in the possession of such a small child.
The man who drew that picture had evidently never furnished playthings for a small child. I can imagine nothing that would delight a child of a year and a half more than a pair of roller-skates to chew and spin and hit himself in the face with. They could also be dropped on Daddy when Daddy was lying on the floor in an attempt to be sociable. Of all the toys arranged before the child, the roller-skates are the most logical. ... That is my great trouble in taking tests and examinations of any kind. I always want to argue with the examiner, because the examiner is always so obviously wrong.
Robert Benchley
Sight, when used in the context of nature, creates direct communication with reality. It implies that one is involved in this particular reality and quickly leads a person to action. But when the image has become artificial and is purely a means of knowledge, the reaction persists. I feel directly involved in what I see, just as prehistoric people did. And if I am seeing objects or ideas, I am not truly independent; I cannot really take my distance from these objects. From the intellectual point of view, this means I cannot really exercise my critical faculties. The use of images to transmit knowledge leads to the progressive elimination of distance between a person and his knowledge, because of the way we are made to participate when this means is used (this is, of course, in perfect accord with technical civilization, and to be desired by its standards). The critical faculties and autonomy of the thinking person are also eliminated.
Jacques Ellul
The psychedelic community has not yet recognized or named itself as a community. We are well behind gays and black people and all those other mi-... we are still trying to figure out if we are a community. And if we are a community, and we have a domain of action, I think where it lies - it's not that we are all supposed to become dope dealers, it's that we are all supposed to become artists; that the transformation of culture through art is the proper understanding of what you can do with psychedelics besides blow your own mind. And I really think, you know, what we need to do is put the art-pedal to the floor, and understand that this is art - we are involved in some kind of enormous piece of performance art called Western civilization and, you know, it's been a C-minus performance so far... And they are just about to reach out with the hook and drag us offstage, unless we begin pulling rabbits out of the hat pretty furiously.
Terence McKenna
Navigation brought man face to face with the uncertainty of destiny, where each is left to himself and every departure might always be the last. The madman on his crazy boat sets sail for the other world, and it is from the other world that he comes when he disembarks. This enforced navigation is both rigorous division and absolute Passage, serving to underline in real and imaginary terms the liminal situation of the mad in medieval society. It was a highly symbolic role, made clear by the mental geography involved, where the madman was confined at the gates of the cities. His exclusion was his confinement, and if he had no prison other than the threshold itself he was still detained at this place of passage. In a highly symbolic position he is placed on the inside of the outside, or vice versa. A posture that is still his today, if we admit that what was once the visible fortress of social order is now the castle of our own consciousness.
Michel Foucault