Marsden Hartley quotes
the place [Dogtown, in Gloucester, Massachusetts] is forsaken and majestically lovely as if nature had at last formed one spot where she can live for herself alone.... [it] looked like a cross between Easter Island and Stonehenge – essentially druidic in it appearance, it gives the feeling that an ancient race might turn up at any moment and renew an ageless rite there.
Marsden Hartley
The essential of a real picture is that the things which occur in it occur to him in his peculiarly personal fashion.... the idea of modernity is but a new attachment of things universal – a fresh relationship to the courses of the sun and to the living swing of the earth – a new fire of affection for the living essence present everywhere.
Marsden Hartley
I see the possibility of being 'made new' again and the gift of rebirth is all that lets anyone really live.... The great secret.... is never to get stuck, imprisoned in common social patterns. They always paralyse the real quality of life – the 'going onward' is all that matters, and the dead moments in one's life through trying to be a unit in any society or social concept are terrifying really.
Marsden Hartley
I learned this bit of wisdom from a principle of William Blake's which I discovered early and followed far too assiduously the first half of my aesthetic life, and from which I have happily released myself and this axiom was: "Put off intellect and put on imagination; the imagination is the man." From this doctrinal assertion evolved the theoretical axiom that you don't see a thing until you look away from it which was an excellent truism as long as the principles of the imaginative life were believed in and followed. I no longer believe in the imagination.
Marsden Hartley
What I have to express is not handled with words. It must 'come' tot the observer. It must carry its influence over the mind of the individual into that region of him which is more than the mind. The pictures must reach inwards into the deeper experiences of the beholder – and mind you they care in no sense religious tracts – there is no story to them or literature – no morals – they are merely artistic expressions of mystical states – these in themselves being my own personal motives as drawn from either special experiences or aggregate ones.
Marsden Hartley
Every painter must traverse for himself that distance from Paris to Aix (Aix-en-Provence where Paul Cézanne frequently painted in open air] or from Venice to Toledo [where w:El Greco lived and painted for many years]. Expression is for one knowing its own pivot. Every expressor relates solely to himself – that is the concern of the individualist.
Marsden Hartley
I have joined, once and for all, the ranks of the intellectual experimentalists. I can hardly bear the sound of the words "expressionism," "emotionalism," "personality," and such, because they imply the wish to express personal life, and I prefer to have no personal life. Personal art is for me a matter of spiritual indelicacy.
Marsden Hartley
Marsden Hartley
Occupation: American Painter
Born: January 4, 1877
Died: September 2, 1943
Quotes count: 33
Wikipedia: Marsden Hartley
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