It was ready-made for them to call an emergency and pretend it was war-time, you know, the war on terrorism is a metaphor, and terrorism is an abstract noun. It's like a "war on dandruff." There's no such thing, you know. It isn't war, it's just a slogan. But using the slogan they got through the U. S. A. Patriot Act, which removes many of our liberties. Nobody made a sound when we lost Habeas Corpus-due process of law-and suddenly Bush managed to get rid of it. Where was a voice on television, aside from mine, that spoke out against this? Where were all those noble jurists, those great lawyers, those lovers of liberty, where the hell were they? They were nowhere!
Gore VidalRelated topics
abstract act aside bush call great hell liberty lost metaphor mine noble nobody noun nowhere patriot pretend rid slogan sound spoke thing using voice war television habeasRelated quotes
being invisible means you can immerse yourself in a crowd and start clasping boobs and buttocks, then leap aside and laugh as some poor chap gets a clip round the ear. Laugh quietly obviously. And changing rooms! You can sneak into changing rooms and sit right there in the middle of the place while pretty girls get wet and take all their clothes off. You could go and hide in the showers themselves, but since the water on your body wouldn't be invisible you'd have to rely on them not noticing a semi-transparent man appear in the corner. You could pretend to be a novelty glass statue, but you wouldn't be able to explain the developing glass stiffy.
Ben Croshaw
On the day you officially join the organization, you will hear a noise outside your home. It may sound like the howl of a wolf, the chirping of a cricket, the engine of an automobile, the keys of a typewriter, the striking of a match, or the turning of a page. The noise will come in the middle of the night, the middle of the morning, or, in very rare cases, late in the afternoon. Ask your parents what the noise was. If they reply 'nothing,' they are replying in code, because there is never 'nothing' outside one's home. If you are interested in volunteering, answer your parents with the following question: 'If there's nothing out there, what was that noise?' We will be listening, and will know it is safe to act.
Daniel Handler
There are certain devices that one uses in Romantic music that are appropriate only for Romantic or subsequent music. If you take those devices and apply them to earlier music, then it's totally inappropriate, and it makes the Classical music sound silly. However, if you were to use what you might call ‘Classical devices' on Romantic music, historically, that would be correct! It very often benefits Romantic music, which is sometimes rather disjunctive, rather shapeless in comparison with Classical symphonic or sonata form. Romantic music very often benefits from that tighter organization that you get from Classical music.
Leon Fleisher
The technology for using base motives to productive economic effect is reasonably well understood. Indeed, the history of the twentieth century encourages the thought that the easiest way to generate productivity in a modern society is by nourishing the motives of which I spoke earlier, namely, those of greed and fear. But we should never forget that greed and fear are repugnant motives. Who would propose running a society on the basis of such motives, and thereby promoting the psychology to which they belong, if they were not known to be effective, if they did not have the instrumental value which is the only value that they have?
Gerald Cohen
Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.
Vitruvius