Is it not clear that with all this we are bound to feel ill at ease in an age that likes to claim the distinction of being the most humane, the mildest, and the most righteous age that the sun has ever seen? It is bad enough that precisely when we hear these beautiful words we have the ugliest suspicions. What we find in them is merely an expression - and a masquerade - of a profound weakening, of weariness, of old age, of declining energies. What can it matter to us what tinsel the sick may use to cover up their weakness? Let them parade it as their virtue; after all, there is no doubt that weakness makes one mild, oh so mild, so righteous, so inoffensive, so "humane!"
Friedrich NietzscheRelated topics
age bad beautiful bound claim clear cover declining doubt ease enough find ill matter seen sick sun ugly use virtue weakening weakness wordsRelated quotes
I am extremely pleased by Daniel Fincke's article, which says exactly what I SHOULD have said and, to my regret, didn't make sufficiently clear in my Reason Rally speech. The best way to summarise it would be to modify the quotation from Johann Hari. Johann said, "I respect you too much to respect your ridiculous beliefs". From now on, my version will be, "I respect you too much to accept that you really believe anything so ridiculous as you claim. Please either defend those beliefs and explain why they are not ridiculous, or else declare that you do not hold them and publicly disown the church to which you claim loyalty."
Richard Dawkins
‘I am grieved to learn that people are running away from the West Punjab and I am told that Lahore is being evacuated by the non-Muslims. I must say that this is what it should not be. If you think Lahore is dead or is dying, do not run away from it, but die with what you think is the dying Lahore. (...) When you suffer from fear you die before death comes to you. That is not glorious. I will not feel sorry if I hear that people in the Punjab have died not as cowards but as brave men. (...) I cannot be forced to salute any flag. If in that act I am murdered I would bear no ill will against anyone and would rather pray for better sense for the person or persons who murder me.'
Mahatma Gandhi
He knew that this creature, though imperfect, though a mere creature, a mere figment of his own creative power, was yet in a manner more real than himself. For beside this concrete splendor what was he but a mere abstract potency of creation? Moreover in another respect the thing that he had made was his superior, and his teacher. For as he contemplated this the loveliest and subtlest of all his works with exultation, even with awe, its impact upon him changed him, clarifying and deepening his will. As he discriminated its virtue and its weakness, his own perception and his own skill matured. So at least it seemed to my bewildered, awe-stricken mind.
Olaf Stapledon
[The Constructive idea.. ] has revealed a universal law that the elements of a visual art such as lines, colours, shapes, possess their own forces of expression independent of any association with the external aspects of the world; that their life and action are self-conditioned psychological phenomena rooted in human nature; that those elements are not chosen by convention by any utilitarian or other reason as words and figures are, they are not merely abstract signs, but they are immediately and organically bound up with human emotions. The revelation of this fundamental law has opened up a vast field in art giving the possibility of expression to those human impulses and emotions which have been neglected.
Naum Gabo
Profound thanks to Columbia Pictures and the lovely forms of Lisa Henson, Gary Wiggan, and Mark Canter for hiring a first-time writer; to James Shamus for his rare intelligence; to Sidney Pollack for asking all the right questions, like 'Why couldn't these women go out and get a job?' Why, indeed. To the cast and crew, for being impeccable. To my friend and my teacher, Lindsay Doran, for being the single most frustrating reason why I can't claim all the credit for myself. And finally, I would like with your permission to dedicate this Oscar to our director, Ang Lee. Ang, wherever you are, this is for you. [Beaming smile].
Emma Thompson