Black: Belief aint like unbelief. If you a believer then you got to come finally to a well of belief itself and then you dont have to look no further. There aint no further. But the unbeliever has got a problem. He has set out to unravel the world, but everthing he can point to that aint true leaves two new things layin there. If God walked the earth when he got done makin it then when you get up in the mornin' you get to put your feet on a real floor and you dont have to worry about where it come from. But if he didnt then you got to come up with a whole other description of what you even mean by real. And you got to judge everything by that same light. If light is is. Includin yourself. One question fits all.
Cormac McCarthyRelated topics
black description done earth everything feet floor judge leaves light mean point problem question real set unbelief well worry things MakinRelated quotes
The brutal truth is that the bulk of white people in American never had any interest in educating black people, except as this could serve white purposes. It is not the black child's language that is in question, it is not his language that is despised: It is his experience. A child cannot be taught by anyone who despises him, and a child cannot afford to be fooled. A child cannot be taught by anyone whose demand, essentially, is that the child repudiate his experience, and all that gives him sustenance, and enter a limbo in which he will no longer be black, and in which he knows that he can never become white. Black people have lost too many black children that way.
James Baldwin
There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share - black against the molten red. There it was, heroic in size, a picture writing on the sun.
Willa Cather
Why, what is the matter with us? Are we going to palliate and excuse a palpable and flagrant outrage on the right of speech, by implying that only a particular description of persons should exercise that right? Are we, at such a time, when a great principle has been struck down, to quench the moral indignation which the deed excites, by casting reflections upon those on whose persons the outrage has been committed? After all the arguments for liberty to which Boston has listened for more than a quarter of a century, has she yet to learn that the time to assert a right is the time when the right itself is called in question, and that the men of all others to assert it are the men to whom the right has been denied?
Frederick Douglass
To conclude: there are two well-known minor ways in which language has mattered to philosophy. On the one hand there is a belief that if only we produce good definitions, often marking out different senses of words that are confused in common speech, we will avoid the conceptual traps that ensnared our forefathers. On the other hand is a belief that if only we attend sufficiently closely to our mother tongue and make explicit the distinctions there implicit, we shall avoid the conceptual traps. One or the other of these curiously contrary beliefs may nowadays be most often thought of as an answer to the question Why does language matter to philosophy? Neither seems to me enough.
Ian Hacking
Specks-specks all over the third panel, see?-no, that one-the second one up from the floor and I wanted to point this out to someone yesterday but a photo shoot intervened and Yaki Nakamari or whatever the hell the designer's name is-a master craftsman not-mistook me for someone else so I couldn't register the complaint, but, gentlemen-and ladies-there they are: specks, annoying, tiny specks, and they don't look accidental but like they were somehow done by a machine-so I don't want a lot of description, just the story, streamlined, no frills, the lowdown: who, what, where, when and don't leave out why, though I'm getting the distinct impression by the looks on your sorry faces that why won't get answered-now, come on, goddamnit, what's the story?
Bret Easton Ellis