The brutal truth is that the bulk of white people in American never had any interest in educating black people, except as this could serve white purposes. It is not the black child's language that is in question, it is not his language that is despised: It is his experience. A child cannot be taught by anyone who despises him, and a child cannot afford to be fooled. A child cannot be taught by anyone whose demand, essentially, is that the child repudiate his experience, and all that gives him sustenance, and enter a limbo in which he will no longer be black, and in which he knows that he can never become white. Black people have lost too many black children that way.
James BaldwinRelated topics
anyone black bulk children child enter experience gives interest language limbo longer lost question serve teach truth way whiteRelated quotes
It is not infrequently our custom to seek to cover our own blank ignorance of certain subjects with the confident assertion that nothing ever has been or can be really known... and our treatment of this question of the life after death is one of the worst examples of this habit. If popular theology had not most unhappily altogether lost sight of the cardinal doctrine of reincarnation, its· views on this subject of death would naturally be entirely different. A man who realizes that he has died many times before regards the operation more philosophically than one who believes it to be an absolutely new experience fraught with all kinds of vague· and awful possibilities.
Charles Webster Leadbeater
I realized, after studying much previous research on the question [of Jesus], that virtually every story in the gospels and Acts can be shown to be very likely a Christian rewrite of material from the Septuagint, Homer, Euripides' Bacchae, and Josephus. ...A literary origin is always to be preferred to an historical one in such a case. And that is the choice we have to make in virtually every case of New Testament narrative. [...] There may once have been an historical Jesus, but for us there is one no longer. If he existed, he is forever lost behind the stained glass curtain of holy myth. At least that's the current state of the evidence as I see it.
Robert M. Price
In America, the President reigns for four years, and journalism governs for ever and ever. Fortunately, in America journalism has carried its authority to the grossest and most brutal extreme. As a natural consequence it has begun to create a spirit of revolt, people are amused by it, or disgusted by it, according to their temperaments. but it is no longer the real force it was. It is not seriously treated. In England, journalism, except in a few well-known instances, not having been carried to such excesses of brutality, is still a great factor, a remarkable power. The tyranny that it proposes to exercise over people's private lives seems to me to be quite extraordinary.
Oscar Wilde
I realized that our time in the White House would form the foundation for who they would become and how well we managed this experience could truly make or break them. That is what Barack and I think about every day as we try to guide and protect our girls through the challenges of this unusual life in the spotlight, how we urge them to ignore those who question their father's citizenship or faith. How we insist that the hateful language they hear from public figures on TV does not represent the true spirit of this country. How we explain that when someone is cruel or acts like a bully, you don't stoop to their level. No, our motto is, when they go low, we go high.
Michelle Obama
The problem which Mondrian undertook to solve in nr. 116 [a new painting of Mondrian, exhibited in a group-exhibition in the Stedelijk Museum in 1915 in Amsterdam] was handled very successfully. This work spiritually dominates all others. It gives the impression of Repose; the repose of the soul. Its predetermined structure embodies 'becoming' rather than 'being'. This represents a true element in art, for art is not 'being', but 'becoming'. The idea of 'becoming' has been expressed in black and white.... Through years of hard work my own experiences have led me, before I came to know the theories of Uexkuell or Picasso, to prefer the use of the white-black-grey palette in works of a purely spiritual content...
Theo van Doesburg