Rimbaud has epitomized for me the true function of the artist when he wrote: 'The poet should define the quantity of the unknown which awakes in his time, in the universal soul. He should give more than the formula of his thought, than the annotation of his march toward progress. The enormous becoming the normal, when absorbed by everyone, he would really be a multiplication of progress.
Arshile GorkyRelated topics
becoming define everyone march multiplication should soul thought universal unknown RimbaudRelated quotes
Defence was an afterthought, prompted by necessity; and its introduction as a State function, though effected doubtless with a view to the strengthening of the State, was really and in principle the initiation of the State's destruction. Its growth in importance is but an evidence of the tendency of progress toward the abolition of the State.
Benjamin Tucker
The technophiles are taking us all on an utterly reckless ride into the unknown. Many people understand something of what technological progress is doing to us yet take a passive attitude toward it because they think it is inevitable. But we (FC) don't think it is inevitable. We think it can be stopped, and we will give here some indications of how to go about stopping it.
Theodore Kaczynski
We are accustomed to the artist scoundrel or specialist in vice, and unaccustomed to the creator in whom passion and reason and moral integrity hold in balance. But greatness of intellect and feeling, or soul and conduct - magnanimity, in short - does occur; it is not a myth for boy scouts, and its reality is important, if only to give us the true range of the term "human," which we so regularly define by its lower reaches.
Jacques Barzun
In a musical sense, it seemed like all the good intentions had gone awry, very quickly. I mean, we got back from America and Blur had made The Great Escape, which I thought was a really, truly awful album - so cheesy, like a parody of Parklife, but without the balls or the intellect. And Oasis were enormous and I always found them incredibly dreary. There was this uncritical reverence surrounding the whole thing.
Justine Frischmann
All art should have a certain mystery and should make demands on the spectator. Giving a sculpture or a drawing too explicit a title takes away part of that mystery so that the spectator moves on to the next object, making no effort to ponder the meaning of what he has just seen. Everyone thinks that he or she looks but they don't really, you know.
Henry Moore