Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.
Clare FischerRelated topics
auditorium came capitol company conducting creative cut end everything floor went hiding instrumentation later left los market music night off piece present recording rewrite third while write tears yearsRelated quotes
Mr. Speaker, Mr. President, members of the House and the Senate, my fellow Americans. I come before you tonight to report on the State of the Union for the third time. I come here to thank you and to add my tribute, once more, to the nation's gratitude for this, the 89th Congress. This Congress has already reserved for itself an honored chapter in the history of America. Our nation tonight is engaged in a brutal and bitter conflict in Vietnam. Later on I want to discuss that struggle in some detail with you. It just must be the center of our concerns. But we will not permit those who fire upon us in Vietnam to win a victory over the desires and the intentions of all the American people. This nation is mighty enough, its society is healthy enough, its people are strong enough, to pursue our goals in the rest of the world while still building a Great Society here at home. And that is what I have come here to ask of you tonight.
Lyndon B. Johnson
There's a human race, and different skin colors, and different racial, what we call racial characteristics. There's several theories about where those come in. Probably the best theory is that the Tower of Babel, which would have been a few hundred years after the flood, is where the races began. When god confused the languages, they went off into their small groups, all speakin' the same language. And if you get a small in-breeding group, you know, 2000 years after the creation, you're gonna get genetic disorders, and racial traits could be a result of this Tower of Babel incident. But I think that there's no question from scripture and from science that all humans are the same race, and have the same genetic code, and certainly can interbreed. So there's no reason scripturally to be a racist. You know, we all came from Adam and Eve, and then later from Noah and his family.
Kent Hovind
"For Russia, therefore, this building of heavy industries at a tremendous pace meant a very great sacrifice. All this construction, all this machinery that came from outside, had to be paid for, and paid for in gold and cash. How was this to be done? The people of the Soviet Union tightened their belts and starved and deprived themselves of even necessary articles so that payment could be made abroad. They sent their food-stuffs abroad, and with the price obtained for them paid for the machinery. They sent everything they could find a market for: wheat, rye, barley, corn, vegetables, fruits, eggs, butter, meat, fowls, honey, fish, caviare, sugar, oils, confectionery, etc. Sending these food articles outside meant that they themselves did without them. The Russian people had no butter, or very little of it, because it went abroad to pay for machinery. And so with many other goods...
Jawaharlal Nehru
I remember a decade ago at my first annual meeting in St. Louis. After my banquet remarks to a packed house, they presented me with a very special gift. It was a splendid hand-crafted musket.
I admit I was overcome by the power of its simple symbolism. I looked at that musket and I thought of all of the lives given for that freedom. I thought of all of the lives saved with that freedom. It dawned on me that the doorway to all freedoms is framed by muskets.
So I lifted that musket over my head for all to see. And as flashbulbs popped around the room, my heart and a few tears swelled up, and I uttered five unscripted words. When I did, that room exploded in sustained applause and hoots and shouts that seemed to last forever. ... So as we set out this year to defeat the divisive forces that would take freedom away, I want to say those words again for everyone within the sound of my voice to hear and to heed, and especially for you, Mr. Gore: From my cold dead hands!
Charlton Heston
Right after Andy died, we [Soundgarden] went to Europe, and it was horrible, because I couldn't talk about it, and there was no one who had loved him around. I wrote two songs, "Reach Down" and "Say Hello 2 Heaven". That was pretty much how I dealt with it. When we came back, I recorded them right away. They seemed different from what Soundgarden naturally does, and they seemed to fit together. They seemed like music he would like. I got the idea to release them as a single, and to get at least Stone and Jeff, or all of Love Bone, to play on it. I had the idea for a couple days, then, with an artist's lack of self-confidence, I decided it was a stupid idea. Somehow those guys heard the tape, and they were really, really excited. Stone and Jeff and our drummer, Matt, had been working on a demo for what ended up being Pearl Jam, so we had the idea that we would make an EP or a record, and maybe even do some of Andy's solo songs.
Chris Cornell