Mencken Quotes

I have long known of Mr. Shaw, read his plays and prefaces, and loved him. I admire heroic effort. Accomplishment I love. What I am about to say is no invention, and I am putting it down for whatever it may be worth to the historian of literature and for the student of influences of men on men, and because it is true and must therefore be made known. As a boy, charging pell-mell through literature, reading everything I could lay hands on in the Public Library of Fresno, I found many men to whom I felt deeply grateful - especially Guy de Maupassant, Jack London, and H. L. Mencken - but the first man to whom I felt definitely related was George Bernard Shaw. This is a presumptuous or fatuous thing to mention, perhaps, but even so it must be mentioned. (William Saroyan)

The most common of all follies,' wrote H. L. Mencken, 'is to believe passionately in the palpably not true. It is the chief occupation of mankind.' In culture after culture, people believe that the soul lives on after death, that rituals can change the physical world and divine the truth, and that illness and misfortune are caused and alleviated by spirits, ghosts, saints... and gods.

Steven Pinker

The problem with the religious solution [to philosophical problems] was stated by Mencken when he wrote, 'Theology is the effort to explain the unknowable in terms of the not worth knowing.' For anyone with a persistent intellectual curiosity, religious explanations are not worth knowing because they pile equally baffling enigmas on top of the original ones. What gave God a mind, free will, knowledge, certainty about right and wrong? How does he infuse them into a universe that seems to run just fine according to physical laws? How does he get ghostly souls to interact with hard matter? And most perplexing of all, if the world unfolds according to a wise and merciful plan, why does it contain so much suffering? As the Yiddish expression says, If God lived on earth, people would break his windows.

Steven Pinker

Both Barnum and H. L. Mencken are said to have made the depressing observation that no one ever lost money by underestimating the intelligence of the American public. The remark has worldwide application. But the lack is not in intelligence, which is in plentiful supply; rather, the scarce commodity is systematic training in critical thinking.

Carl Sagan

I am, in fact, the complete anti-Messiah, and detest converts almost as much as I detest missionaries. My writings, such as they are, have had only one purpose: to attain for H. L. Mencken that feeling of tension relieved and function achieved which a cow enjoys on giving milk.

H. L. Mencken

H. L. Mencken once said that nobody ever went broke underestimating the taste of the American public. That is not true. I have come to believe that it pays to make all your layouts project a feeling of good taste, provided that you do it unobtrusively. An ugly layout suggests an ugly product. There are very few products which do not benefit from being given a first class ticket through life.

David Ogilvy

When Boswell confessed to Johnson that he feared some things he was entering in his journal were too small, the latter advised him that nothing is too small for so small a creature as man. This is good evidence that Johnson had achieved what I referred to as perspective, which carries with it a necessary humility. And while some may be startled to hear Mencken called a modest man, I can infer nothing but a real condor and humility from those bombastic and ironical allusions to himself which comprise much of the humor of his writings. The tone he adopted was a rhetorical instrument; he had faced his limitations.

Richard Weaver

Many of the writers who have inspired me most are outside the genre: Humorists like Robert Benchley and James Thurber, screenwriters like Ben Hecht and William Goldman, and journalists/columnists like H.L. Mencken, Mike Royko and Molly Ivins.

John Scalzi

Many good writers, from Montaigne to Mencken, have been impolitic, colicky, or sassy.

Mark Riebling

Having lived all my life in a country swarming with messiahs, I have been mistaken, perhaps quite naturally, for one myself, especially by the others. It would be hard to imagine anything more preposterous. I am, in fact, the complete anti-Messiah, and detest converts almost as much as I detest missionaries. My writings, such as they are, have had only one purpose: to attain for H. L. Mencken that feeling of tension relieved and function achieved which a cow enjoys on giving milk. Further than that, I have had no interest in the matter whatsoever. It has never given me any satisfaction to encounter one who said my notions had pleased him. My preference has always been for people with notions of their own. I have believed all my life in free thought and free speech-up to and including the utmost limits of the endurable.

H. L. Mencken

In matters of personality, he had more in common with Hemingway than either man acknowledged-not only a combative spirit and a devotion to the cult of masculinity but also an abhorrence of romanticism and a nearly compulsive desire for order. Mencken's creed, stated later in his memoirs, is a close cousin of Hemingway's own. "Competence, indeed,” Mencken was to write, "is my chief admiration...And next to competence I put what is called being a good soldier-that is, not whining.”. (H. L. Mencken)

As for younger writers, Mencken wrote a friend in 1935, "all...seem to be headed toward the left....The left-wing movement...is bound to be transient, but while it lasts it has pretty well killed intelligent criticism in this country. Books are judged not by their worth as works of art, but by their political content...”.

H. L. Mencken

When H. L. Mencken unpacks his idiomatic brasses, tunes up his verbal strings, and gets in readiness his phrasal wood winds to orchestrate a fugue in damnation or in praise of man, god or book, his all too meagre audience cancels all other engagements to be on hand at the initial presentation. The result, that audience knows, will be an experience of pure enjoyment. His musicianship is unfailing. His program is unsatisfactory only in its impermanence. Though the theme he proposes is invariably Mencken - Mencken apropos of this or that - he gives it infinite and intricate variations.

Burton Rascoe