Sartre Quotes
Metaphors of space have always been introduced into painting, the play of fullness and emptiness, volumes, surfaces, light and shade.. .And, in recent painting, in particular, the notion of 'emptiness' has assumed great significance.. .This interest in emptiness, in nothingness, is found in many disciplines, in particular in an important sector of modern philosophy. We know, for example, that the philosophers such as Heidegger or Sartre have, at a given moment, made nothingness the center of their thought...
Antoni Tàpies
What is philosophy? This is a notoriously difficult question. One of the easiest ways of answering it is to say that philosophy is what philosophers do, and then point to the writings of Plato, Aristotle, Descartes, Hume, Kant, Russell, Wittgenstein, Sartre, and other famous philosophers. However, this answer is unlikely to be of much use to you if you are just beginning the subject, as you probably won't have read anything by these writers.
Nigel Warburton
Sometimes I see signs on walls saying Kill the Rich,” Clem said. "And sometimes Kill the Rich has been crossed out and Harm the Rich written underneath. A clear gain for civilization I would say. And the one that says Jean-Paul Sartre Is a Fartre. Something going on there, you must admit. Dim flicker of something....
Donald Barthelme
Sex also concentrates the mind wonderfully, and that is why civilised man is so obsessed by it. It enables him to "savour every fraction of an inch," not merely of the act of sexual intercourse, but of living itself. But that, of course, only underlines the basic problem: after coitus, "man becomes sad," because he quickly returns to his unconcentrated and defocused state. In sexual excitement, it is the spirit itself that becomes erect, and becomes capable of penetrating the meaning of life. Normal consciousness is limp and flaccid; its attitude towards reality is defensive. This is what Sartre called contingency, that feeling of being at the mercy of chance.
Colin Wilson
Sartre observed that he had never felt so free as during the German occupation when (as a member of the French resistance) he was in constant danger of being arrested and shot. Could there be a more conclusive proof that human beings are freer than they realize, and that their freedom is eroded by habit and laziness?
Colin Wilson
The fundamental tenet of Steiner's teaching is that if we take the trouble to recognize the independent existence of the inner worlds of thought, and keep the mind turned in that direction, we shall soon become increasingly conscious of their reality. We are not, as Sartre believed, stranded in the universe of matter like a whale on a beach. That inner world is our natural home. Moreover, once we grasp this truth, we can also recognize that we ourselves possess an "essential ego," a "true self," a fundamental identity that goes far beyond our usual feeble sense of being "me."
Colin Wilson
Because the book became a freak 'bestseller', because I found myself bracketed with the 'Angry Young Men' of the period, I found myself carried to 'fame' on a wave of publicity -- only to discover that this kind of fame is one of the subtlest forms of obscurity. Everybody knew who I was, and nobody knew what I stood for. The public image meant that nobody was interested in what I had to say, for everyone was convinced that they already knew. I could talk until I was blue in the face about my attempt to revise the pessimistic existentialism of Heidegger, Camus and Sartre; as far as most people were concerned, I was an autodidact who was angry about something or other.
Colin Wilson
Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad.
Mario Vargas Llosa
When I was a student in the 1950s, I read Husserl, Sartre, Merleau-Ponty. When you feel an overwhelming influence, you try to open a window. Paradoxically enough, Heidegger is not very difficult for a Frenchman to understand. When every word is an enigma, you are in a not-too-bad position to understand Heidegger. Being and Time is difficult, but the more recent works are clearer. Nietzsche was a revelation to me. I felt that there was someone quite different from what I had been taught. I read him with a great passion and broke with my life, left my job in the asylum, left France: I had the feeling I had been trapped. Through Nietzsche, I had become a stranger to all that.
Michel Foucault
Both Borges and Sartre, from their totally different extremes of denying literature a social purpose, were certainly perfectly aware that it has its implicit and unalterable social role in exploring the state of being, from which all other roles, personal among friends, public at the protest demonstration, derive. Borges was not writing for his friends, for he published and we all have received the bounty of his work. Sartre did not stop writing, although he stood at the barricades in 1968.
Nadine Gordimer
Chaucer shares on the literary stock marker have been rising during the past ten years, owing chiefly to the enthusiasm, literary gifts and scholarship of an Oxford don, Nevill Coghill, and secondarily to the British Broadcasting Corporation. The fluctuations of the literary market are familiar to everyone; sometimes there is a fierce flutter in a virtually unknown commodity (like the John Donne boom in the twenties); occasionally an almost dead commodity bursts in new life (as in the Trollope boom of the forties); Foreign Moderns (Sartre, de Beauvoir, Camus, Sagan) are eagerly pushed but are apt to collapse suddenly, wiping out those critics who have invested too heavily in them; in the USA the Deep South and Proletarian Anguish are solid, though all else fluctuates unpredictably.
Robertson Davies
The first existentialist was not Sartre, though he coined the term. Nor was it Kierkegaard or Nietzsche, though most of the textbooks say so. Nor was it even Pascal, though he foreshadowed half of Kierkegaard and was the first to write about the fundamental existential experience of cosmic anxiety and meaninglessness. It was not even Saint Augustine, whose Confessions stands out as the profoundest example of depth psychology and existential autobiography ever written. It was not even Socrates, who alone among philosophers totally existed his philosophy.
Rather, the first existentialist was Solomon, or whoever wrote Ecclesiastes.
Peter Kreeft
When Sartre and I met not only did our backgrounds fuse, but also our solidity, our individual conviction that we were what we were made to be. In that framework we could not become rivals. Then, as the relationship between Sartre and me grew, I became convinced that I was irreplaceable in his life, and he in mine. In other words, we were totally secure in the knowledge that our relationship was also totally solid, again preordained, though, of course, we would have laughed at that word then. When you have such security it's easy not to be jealous. But had I thought that another woman played the same role as I did in Sartre's life, of course, I would have been jealous.
Simone de Beauvoir
As Jean-Paul Sartre reminds us, in the case of human beings this metaphysic is reversed: a person's existence precedes his essence-he is a subject among objects. The danger, says Sartre, following Heidegger, is that he will "fall” into the world of objects, becoming ever after the prisoner of arbitrary strictures masquerading as universal principles.
James K. Morrow
Sartre, whose underground activities had never amounted to anything except a secret meeting on Wednesday to decide whether there should be another meeting the following Tuesday, not only claimed the status of Resistance veteran but called down vengeance on people whose behaviour had not really been all that much more reprehensible than his own.
Clive James
2. We are equally the contemporaries of a second epoch of the doctrine of the Subject. It is no longer the founding subject, centered and reflexive, whose theme runs from Descartes to Hegel and which remains legible in Marx and Freud (in fact, in Husserl and Sartre). The contemporary Subject is void, cleaved, a s-substantial, and ir-reflexive. More over, one can only suppose its existence in the context of particular processes whose conditions are rigorous.
Alain Badiou
I wanted the kind of power of insight and self-command that I experienced in the works of a Jean Paul Sartre, James Baldwin, or Margaret Walker. I wanted to make that kind of music that I heard in the poetry of a Langston Hughes or the stories of James Joyce. That combination of power and beauty more than anything else is probably what made me most want to become a writer. It wasn't until I became a journalist with the U. S. Air Force that I became more objective in my literary outlook and accepted that writing professionally included responsibilities to something other than my personal desires or needs.
Aberjhani