Motif Quotes - page 2
Genesis as formal motion is the essential thing in a work. In the beginning the motif, insertion of energy, sperm. Works as shaping of form in the material sense: the primitive female component. Works as form - determining sperm: the primitive female component. My drawings belong to the male realm.
Paul Klee
Everything that used to be foreign to me, at the rational procedures in my profession, I now beging to resort to after all, from necessity, at least as a matter of experiment. Apparently I am becoming perfectly sober and small, perfectly unpoetic and unenthusiastic. I imagine a very small formal motif and try to execute it economically.
Paul Klee
"Philosophical” ideology critique is truly the heir of a great satirical tradition, in which the motif of unmasking, exposing, baring has served for aeons now as a weapon. But modern ideology critique-according to our thesis has ominously cut itself off from the powerful traditions of laughter in satirical knowledge.
Peter Sloterdijk
From the start, the bourgeois-positivistic fraction of enlightenment was uncomfortable about the unpredictable, subversive dimensions of the new category, the unconscious. With it, the motif of critical self-reflection was introduced into civilization in a way that could not please those who held themselves to be the representatives of civilization. If every ego is underlaid by an unconscious, then that is the end of the self-satisfaction of a consciousness that thinks it knows itself, and thus knows how to value itself. The "unconscious” touched on the cultural narcissism of all social classes.
Peter Sloterdijk
'The merging of different motif areas in her drawings and the transformation of spacial relationships into flat correspondences gathers towards a distortion of depicted reality and the dissolution of its phenomenal form.' I didn't try to reach the sense of this. I understood the point of it was to transpose the locus of authority from the works to the discussion of the works. The writer had assumed the role of validating authority for the images he discussed. In order to do this he had been required to transform what he saw with his eyes into ideologies that he could 'see' with his intellect.
Alex Miller (novelist)
...The principal feature of the retablos I have seen and collected is the picture, the diorama, if you will, of someone's earthly crisis, at which the divine is also present in the figure of a particular saint or Holy Virgin. This simple crudely drawn and painted image is wrought with drama, depicting a moment of powerful tension, pain, and transcendence. I took my cues from these images, and determined to use them as the motif for the moments in my life that defined me...
Octavio Solis
Any conscientious scholar of the Adi Granth will be struck by the fact that both in its origin and development, in its soul and body, it belongs to a larger literature of a similar nature and ethos found all over India. And the common source of them all is the Upanishads, the Yogas, the Puranas and the Mahabharata. All the spiritual categories, approach, message, motif, images, metaphors and illustrative material derive from that source, and only the language is regional. But nothing is lost in the repetition and the message remains fresh and invigorating; in fact, it acquires a new confirmation as it is renewed in the lives of Godmen from generation and region to region. The Adi Granth reproduces hundreds of passages and phrases almost verbatim from the older scriptures.
Ram Swarup