Peter Sloterdijk quotes
Peter Sloterdijk is a German philosopher, cultural theorist, and author, recognized for his innovative works on philosophy, society, and media. His writings blend philosophical analysis with contemporary social commentary and have influenced modern European thought. He is considered one of the most original and provocative thinkers of the 21st century. Here are 44 of his quotes:
If the movements of reflection in classical philosophy could be depicted in the structure of Homer's Odysseus, in which a wandering hero returns home via a thousand false paths across the whole world, in order there to be recognized by his woman, that is, by his "soul," then the reflections of modern thinking in no way still find their way back "home." They either move on the spot in essenceless flurries, drained of experience, or they drift on, like the eternal Jew or the Flying Dutchman, without hope of arriving, through the perpetually alien. ... For the modern subject, a "vagabond in existence," there is no longer any return home.
Peter Sloterdijk
The only loyalty to enlightenment consists in disloyalty. This can be partly understood from the position of its heirs, who look back on the "heroic” times and are necessarily more skeptical of the results. To be an heir always carries a certain "status cynicism” with it, as is well known from stories about the inheritance of family capital.
Peter Sloterdijk
Because there are no truths that can be taken possession of without a struggle, and because all knowledge must choose a place in the configuration of hegemonic and oppositional forces, the means of establishing knowledge seem to be almost more important than the knowledge itself. ... The demand to universalize the rational draws it into the vortex of politics, pedagogy, and propaganda. With this, enlightenment consciously represses the harsh realism of older precepts of wisdom, for which there was no question that the masses are foolish and that reason is to be found only among the few. Modern elitism has to encode itself democratically.
Peter Sloterdijk
Ideology critique raises a claim that it shares with hermeneutics, namely, the claim to understand an "author” better than he understands himself. What at first sounds arrogant about this claim can be methodologically justified. Others often really do perceive things about me that escape my attention-and conversely. They possess the advantage of distance, which I can profit from only retrospectively through dialogic mirroring. This, of course, would presuppose a functioning dialogue, which is precisely what does not take place in the process of ideology critique.
An ideology critique that does not clearly accept its identity as satire can, however, easily be transformed from an instrument in the search for truth into one of dogmatism. All too often, it interferes with the capacity for dialogue instead of opening up new paths for it.
Peter Sloterdijk
Since modern thinking no longer entrusts itself with the translation of self-knowledge into worldly knowledge, and of world experience into self-experience, philosophy has had to withdraw from theories of "objective reason" into those of "subjective reason." The ground is thus taken from under the feet of the ancient holistic pathos, and philosophy sinks into the apparent truncatedness and groundlessness of the subjective.
Peter Sloterdijk
In an earlier day, the rich lived at the expense of the poor, directly and unequivocally; in a modern economy, unproductive citizens increasingly live at the expense of productive ones-though in an equivocal way, since they are told, and believe, that they are disadvantaged and deserve more still. Today, in fact, a good half of the population of every modern nation is made up of people with little or no income, who are exempt from taxes and live, to a large extent, off the other half of the population, which pays taxes. If such a situation were to be radicalized, it could give rise to massive social conflict. The eminently plausible free-market thesis of exploitation by the unproductive would then have prevailed over the much less promising socialist thesis of the exploitation of labor by capital.
Peter Sloterdijk
The bourgeoisie is the first class that has learned to say I and that at the same time has the experience of labor. All older class narcissisms can base themselves "only” on struggle, military heroism, and the grandiosity of rulers. When the bourgeois says "I” the idea of the pride of labor, of productive accomplishment can also be heard for the first time.
Peter Sloterdijk
Rousseau diagnosed a total degeneration, a complete fall of humanity from "Nature” in the society of the eighteenth century. All spontaneity had been denaturalized through convention, all naïveté had been replaced by finesse, all sincerity had been glossed over by facades of social intercourse, etc.
Peter Sloterdijk
The gesture of exposure characterizes the style of argumentation of ideology critique, from the critique of religion in the eighteenth century to the critique of fascism in the twentieth. Everywhere, one discovers extrarational mechanisms of opinion: interests, passions, fixations, illusions. That helps a bit to mitigate the scandalous contradiction between the postulated unity of truth and the factual plurality of opinions-since it cannot be eliminated. Under these assumptions, a true theory would be one that not only grounds its own theses best, but also knows how to defuse all significant and persistent counterpositions through ideology critique.
Peter Sloterdijk
Ideology critique, having become respectable, imitates surgical procedure: ... The opponent is cut open in front of everyone, until the mechanism of his error is laid bare. ... Ideology critique is now interested not in winning over the vivisected opponent but in focusing on the "corpse,” the critical extract of its ideas. ... Those who previously did not want to engage in enlightenment will want to do so even less now that they have been dissected and exposed by the opponent.
Peter Sloterdijk
The one version of the bourgeois comprises the artisan, the trader, the official, the financier, and the entrepreneur, all of whom, in their own way, can claim to know what labor is. Juxtaposed to them from the beginning, stands a type of bourgeois who does research, writes poetry, composes and makes music, and philosophizes and who believes that these activities develop a world that is self-sufficient. It is obvious that these two fractions of the bourgeois ego get on only superficially and come together only in the hollow connection of property and cultivation. They create the century-long tension between the good and the evil bourgeois, the idealist and the exploiter, the visionary and the pragmatist, the ideally liberated bourgeois and the laboring bourgeois. This tension remains as inexhaustible as that between the world of work and "freedom” in general.
Peter Sloterdijk
When conservatives and reactionaries refer to "Nature” to justify their assertions about the inferiority of woman, the lesser capacities of dark races, the innate intelligence of children from the upper social strata, and the sickness of homosexuality, they have usurped naturalism. It remains the task of critique to refute this. Ultimately critique must at least be able to show that what "Nature” gives us has to be recognized as neutral and nontendentious so that every value judgment and every tendency can without doubt be understood as a cultural phenomenon. Even if Rousseau's "good Nature” has been discredited, he has at least taught us not to accept "bad Nature” as an excuse for social oppression.
Peter Sloterdijk
Ideologically, the reference to "Nature” is always significant because it produces an artificial naïveté and ends up as voluntary naïveté. It covers up the human contribution and avers that things are by nature, and from their origins, in that "order” in which our representations, which are always influenced by "interests,” depict them. The rudiments for ideologies of order are hidden in all naturalisms.
Peter Sloterdijk
The dance around the golden calf of identity is the last and greatest orgy of counterenlightenment. Identity is the magic word of a partially hidden, partially open conservatism that has inscribed personal identity, occupational identity, national identity, political identity, female identity, male identity, class identity, party identity, etc., on its banner.
Peter Sloterdijk