Tar Quotes
I saw Guillaumin. We went to look at my two latest paintings which were bought by Durand. All he said was 'there's no firmness in the foreground'. It was evening, we were seeing the paintings by gas-light, which neutralized the orange tones. As Seurat says, what they [the Impressionists]] look for is thick impasto; but at Clauzet's I saw a Guillaumin, also in the evening, and it looked made of tar, so much shellac was used at the base of this painting, which in my view is really old stuff; it must be admitted that he made an effort to tighten the design but then the harmonies are insignificant and lack logic - there is no drawing, there is a flurry of colors, but no modeling; it is one step from [w: Jules Dupré|Jules Dupreé]] - modernized.
Camille Pissarro
The outward appearance of every object I make is the equivalent of some aspect of inner human life... My feelings then had this special kind of darkness – almost black like this mixture of rubber and tar. It is certainly an equivalent of the pathological state mentioned before, and expresses the need to create a space in the mind from which all disturbances were moved: an empty insulated space.
Joseph Beuys
What security have you for your own safety if every man of vile temper, of low instincts, of base purpose, can find in his own heart a higher law than that which is the rule of society, the Constitution, and the Bible? These higher-law preachers should be tarred and feathered, and whipped by those they have thus instigated. This, my friends, is what was called in good old revolutionary times, Lynch Law. It is sometimes the very best law, because it deals summary justice upon those who would otherwise escape from all other kinds of punishment.
Jefferson Davis
Western field-work conjures up images of struggle on horseback [...]-toughing it out on one canteen a day as you labor up and down mountains. The value of a site is supposedly correlated with the difficulty of getting there. This, of course, is romantic drivel. Ease of access is no measure of importance. The famous La Brea tar pits are right in downtown Los Angeles. To reach the Clarkia lake beds, you turn off the main road at Buzzard's Roost Trophy Company and drive the remaining fifty yards right up to the site.
Stephen Jay Gould
Wickham is not an upwardly mobile community. It's dingy and gray as only a mill town can be. The streets are the color of a shoe bottom, and the only way to tell the difference between the bars and the homes is to look for the neon signs in the windows. The roads and sidewalks are uneven, the tar cracked and pale. Many of the people, especially the workers as they trudge home from the mills in the dying light, have the look of those who've long ago gotten used to the fact that no one remembers them. It's a place where the people are grateful for the seasons, because at least they confirm that time is actually moving on.
Dennis Lehane
I've got a lot of white associates. Elijah Muhammad, is the one who preached that the white man of America, number one, is the Devil. He's been preaching - he never mentioned England. England's people have never lynched us, raped us, castrated us, tarred and feathered us, burned us up, pulled our sockets apart, stick knives in pregnant women's stomachs, enslaved us, rob us of our names, our knowledge, our - Elijah Mohammad's been preaching that the white man of America – God taught him – is the blue-eyed, blond-headed Devil! No good in him, no justice, he's gonna be destroyed! His rule is over. He is the Devil!
Muhammad Ali
If a man cannot stand up in Charleston or Savannah or Richmond and say that he believes the right of every man to the enjoyment of life, liberty, and happiness to be self-evident; if he be tarred and feathered for saying it, or ridden upon a rail, or ducked in a horse-pond, or driven out of his pulpit or professorial chair, or shot down in his office, or waited upon by a committee who cannot be answerable for the chivalric impatience of their fellow-citizens - Mr. Douglas says it is a proof that his political principles are ruinous and fatal; which is simply the argument of a highway robber to his victim whom he knocks on the head, that if he didn't carry so much money in his pocket he wouldn't be robbed.
George William Curtis
All the art since the Renaissance seemed too men-oriented. I liked (the) object quality. An Egyptian pyramid, a Sung vase, the Romanesque church appealed to me. The forms found in the vaulting of a cathedral or even a splatter of tar on the road seemed more valid and instructive and a more voluptuous experience than either geometric or action painting.
Ellsworth Kelly
I began to draw from plant life and found the flat leaf forms were easier to do than thighs and breasts. I wanted to flatten. The plant drawings from that time until now have always been linear. They are exact observations of the form of the leaf or flower of fruit seen. Nothing is changed or added, no surface marking. They are not an approximation of the thing seen nor are they a personal expression or an abstraction. They are an impersonal observation of the form. When I applied the procedure to other things such as the vaulting of Notre Dame [church in Paris] or a patch of tar on the road, the subject of the drawings and the subsequent paintings were not recognizable even though they were exact copies of the thing seen. I wanted to use things that had no pictorial use.
Ellsworth Kelly