Michelangelo Quotes
For – to say a few words on technique – whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Claude Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.
Theo van Doesburg
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
David Chase
In Italy, for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace - and what did they produce? The cuckoo clock.
Graham Greene
There is one quality I find in all the artists I admire most – men like Masaccio, Michelangelo, Rembrandt, Cézanne. I mean a disturbing element, a distortion, giving evidence of a struggle of some sort... Great Art is not Perfect. Here the disturbing element comes in. It is instructive to know that Rembrandt copied Mantegna, whose art is the extreme opposite of his own. Why did he do so? Because he was conscious that his own art lacked the classical element. He was aware of the opposite, and that makes him greater.
Henry Moore
My work may be balanced on the second side [the Romantic tendency].. ..- but I believe it has some elements of order & unity, some design, even balance & abstract qualities, some tenseness. When its all classical, its too obvious & cold & deadly perfect - when its all romantic, its too loose uncontrolled wildly chaotic & shapeless – But in my opinion – Gothic sculpture – Mexican, all primitive sculpture, Shakespeare, Beethoven, Tintoretto, El Greco, Rubens, Michelangelo, Masaccio, are all more romantic than classic [Moore is reacting here on Stanley Casson's critic in 'The Listener' 25 Aug. 1937.
Henry Moore
You misunderstood my words when I said that Michelangelo was a stupid artist... Because I have drunk from another source and a new and marvelous thirst burns my lips – how can I still believe in such artists?! I know what you are thinking when you ask me: 'isn't David a superman? This is how I used to feel, this is what I used to think. The majority of the world's great spirits thought it so.... but now a new air has entered my soul, a new song has reached my ears and the whole world appears totally changed – the autumn afternoon has arrived, the long shadows, the clear air, the serene sky –, in a word: Zarathustra has arrived, do you understand??.... It is only with Nietzsche that I can say I have begun a real life.
Giorgio de Chirico
In 1964 I was at school, planning to study economics and sociology, when curiosity took me to the Tate Gallery to see an international survey exhibition of contemporary art. It brought together the painting and sculpture of the previous decade, beginning with the late works of the modern masters, Matisse and Picasso, and concluding with the twenty-seven year olds Allen Jones and David Hockney. I was bowled over. Suddenly, art was not just Turner and Constable, or Leonardo and Michelangelo, but objects of considerable size and brilliant colour, dealing with the sensations, subjects and issues of the Sixties.
Nicholas Serota
This science gave me a taste for the arts. It is Number that gives value to sounds and silences, lights and shadows, forms and spaces. Michelangelo and Bach seemed to me like divine mathematicians [calculateurs]. Already I felt that only mathematics enables works that can last. Whether as a result of patient study, or of a stormy [fulgurante] intuition, number alone can reduce all our diversities of feeling to the strict unity of a mass, a fresco, or a sculpted head.
Jean Metzinger