You start to think, when you're younger, how important everything is and how things have to go right-your job, your career, your life, your choices, and all of that. Then, after a while, you start to realise that – I'm talking the big picture here – eventually you die, and eventually the sun burns out and the earth is gone, and eventually all the stars and all the planets in the entire universe go, disappear, and nothing is left at all. Nothing – Shakespeare and Beethoven and Michelangelo gone. And you think to yourself that there's a lot of noise and sound and fury – and where's it going? It's not going any place... Now, you can't actually live your life like that, because if you do you just sit there and – why do anything? Why get up in the morning and do anything? So I think it's the job of the artist to try and figure out why, given this terrible fact, you want to go on living.
Woody AllenRelated topics
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[another part / version of Whistler's lecture:]
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful-as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano. That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all.
James McNeill Whistler
The devil came to Eve in Genesis chapter three, ‘The serpent said unto the woman, ‘Yea, hath God said, Ye shall not eat of every tree of the garden?” First sentence out of the devil's mouth was a question to make Eve doubt God's word. He always does that by the way. He's always going to make you try to doubt God's word. The second thing he said to the woman was, ‘Ye shall not surely die:' Now he's calling God a liar. The third thing he said to the woman was, ‘Hey, if you eat off that tree, ye shall be as gods.' And right there is where the whole idea of Evolution got started. It didn't start with Charley Darwin. It started with Satan in the Garden of Eden. He wants you to think you can become like gods. Yes boys and girls, we are evolving. We started off like an amoeba and we're getting bigger and better and stronger and smarter and in some day we're going to sail around the universe and discover new life forms like Star Trek.
Kent Hovind
He Robert Rauschenberg was a kind of enfant terrible at the time [around 1960] and I thought of him as an accomplished professional. He'd already had a number of shows, knew everybody, had been to Black Mountain College in South Carolina, working with all those avant-garde people.... Rauschenberg focused very much on working. I was prepared to do that, too. He was also involved with Merce Cunningham dance group and totally unconcerned with his success, in the cliché term. All of the activity had a lively quality, quite separate from any commercial situation.... [Rauschenberg moved into a loft in Jaser John's building and they very closely worked together for a couple of years]. You get a lot by doing. It's very important for a young artist to see how things are done. The kind of exchange we had was stronger than talking. If you do something then I do something then you do something, it means more than what you say.
Jasper Johns
Mrs. Gandhi has only one dream: to take over the whole sub continent, to subjugate us. She'd like a confederation so as to make Pakistan disappear from the face of the earth, and that's why she says we're brothers, and so forth. We're not brothers. We never have been. Our religions go too deep into our souls, into our ways of life. Our cultures are different, our attitudes are different. From the day they're born, to the day they die, a Hindu and a Muslim are subject to laws and customs that have no points of contact. Even their ways of eating and drinking are different. They're two strong and irrecon cilable faiths. It's shown by the fact that neither of the two has ever succeeded in reaching a compromise with the other, a modus vivendi. Only dictatorial monarchies, foreign invasions, from the Mongols to the British, have succeeded in holding us together by a kind of Pax Romana. We've never arrived at a harmonious relationship.
Zulfikar Ali Bhutto
The big artist does not sit down monkey like & copy a coal scuttle or an ugly old woman like some Dutch painters have done nor a dungpile, but he keeps a sharp eye on Nature & steals her tools. He learns what she does with light the big tool & then colour then form and appropriates them to his own use. Then he's got a canoe of his own smaller than Nature's but big enough for every purpose except to paint the midday sun which is not beautiful at all. It is plenty strong enough though to make midday sunlight or the setting sun if you know how to handle it. With this canoe he can sail parallel to Nature's sailing. He will soon be sailing only where he wants to selecting nice little coves & shady shores or storms to his own liking, but if ever he thinks he can sail another fashion from Nature or make a better shaped boat he'll capsize or stick in the mud & nobody will buy his pictures or sail with him in his old tub.
Thomas Eakins