Parker Quotes - page 3
Admittedly, I do have several bones... whole war fields full of bones, in fact... to pick with organised religion of whatever stripe. This should be seen as a critique of purely temporal agencies who have, to my mind, erected more obstacles between whatever notion of spirituality and Godhead one subscribes to than they have opened doors. To me, the difference between Godhead and the Church is the difference between Elvis and Colonel Parker... although that conjures images of God dying on the toilet, which is not what I meant at all.
Alan Moore
An analogous process I shall call Churchillian Drift...Whereas quotations with an apothegmatic feel are normally ascribed to Shaw, those with a more grandiose or belligerent tone are, as if by osmosis, credited to Churchill. All humorous remarks obviously made by a female originated, of course, with Dorothy Parker. All quotations in translation, on the other hand, should be attributed to Goethe.
Nigel Rees
How did I get to Lee Konitz, when everybody else was doing Charlie Parker? The sound, for one thing, the notes that he played-man, it just knocked me off my feet! When Lee was first playing, God he was inventive! I worked out so many solos of his off the records, from when he began recording with Tristano and Warne Marsh in 1949. I listened to Charlie Parker but I was not a fan-he was repeating himself too much.
Clare Fischer
Alan Parker: "She worked out her moves in the mirror the night before we'd shoot. She would work so hard. She was not someone who went out clubbing every night. She was the one who said, ‘I want to be there at 5.30 in the morning so I have enough time to get the hair and make-up right.' So before the crew had even arrived, she would be there. By the time she arrived at the set she was smiling and she did her job. And she did her job brilliantly."
Madonna (entertainer)
Parker saw his first ASP unit in a Texas shantytown called Judy's Jungle. It was a massive console cased in cheap plastic chrome. A ten-dollar bill fed into the slot bought you five minutes of free-fall gymnastics in a Swiss orbital spa, trampolining through twenty-meter perihelions with a sixteen-year-old Vogue model, heady stuff for the Jungle, where it was simpler to buy a gun than a hot bath.
William Gibson
You see the objectification of women on men's magazines all the time. I accept that, they're trying to move a product. What I don't get is when I walk past a cover of Mademoiselle magazine and I'm like, 'Do you want to fuck me, Heather Graham? Because it looks like you want to fuck me, Heather Graham, and I don't really understand why you have that look on your face, wearing almost nothing on the cover of a women's magazine. Oh, hey, Sarah Jessica Parker! Do you want to fuck me too on the cover of Marie Claire? Because it looks like you like me. I don't know why you're looking at me like that, but I certainly now want to buy this empowering women's magazine.
Janeane Garofalo
I was thinking, earlier, how there's this stigma attached to "writing for money" and how odd that is, as though writing is akin to sex (another "creative" act?) and writing for money is akin to prostitution in the minds of so many people. Whoring with adjectives, so to speak. Do I give good prose? Look up the definition of "hack." So, there must be the perception that writing, like the priesthood, comes with some higher purpose in tow. Getting paid well somehow sullies the purer cause. I've heard writers dismiss something or another that they've written by explaining, "Oh, yes, I know that sucked, but I only wrote it because they paid me so much money." And then we might even forgive them a piece of crap, because we have a sensible explanation. That wasn't a real orgasm. I was only faking the plot. Dorothy Parker and F. Scott Fitzgerald and William Faulkner in Hollywood.
Caitlín R. Kiernan