Munich Quotes - page 3
It is impossible to explain the latest works of these wild men | that is, the artists of Der Blaue Reiter, and Die Brücke, [working in Munich, and Berlin] in terms of a formal evolution and a reinterpretation of Impressionism. The loveliest prismatic colors and the famous Cubist style have become meaningless in terms of the objectives of the iconoclasts. Their thinking has a different aim: with their labor, they want to create symbols for their era. symbols that belong on the altars of the coming spiritual religions behind which the technical producer will vanish.
Franz Marc
All the pictures [in the exhibition, 1910] include a plus-factor, which robs the public [in Munich] of her pleasure but which is in every case the principal merit of the work; the completely spiritualized, de-materialized awardness of perception, which our fathers, the artists of the nineteenth century, never even tried to achieve in their 'pictures'. This bold undertaking, to take the 'matiere', which Impressionism sank its teeth into, and spiritualize it, is a necessary reaction, which began with Gauguin in Pont-Aven, and has already fostered innumerable experiments... The way the Munich public condemns the exhibition is almost amusing.
Franz Marc
Not only, then, did Hitler do nothing to assist in the crushing of Munich's ‘Red Republic'; he was an elected representative of his battalion during this whole period of existence. How to interpret this evidence is, nevertheless, not altogether clear. Since the Munich garrison had firmly backed the revolution since November, and again in April supported the radical move to the Räterepublik, the obvious implication must be that Hitler, in order to have been elected as a soldiers' representative, voiced in these months the views of the socialist governments he later denounced with every fibre of his body as ‘criminal.
Ian Kershaw
Ernst Toller reported that a fellow-prisoner also interned for involvement in the Räterepublik had met Hitler in a Munich barracks during the first months after the revolution, and that the latter had then been calling himself a Social Democrat. Konrad Heiden remarked that, during the time of the Councils Republic, Hitler had, in heated discussions among his comrades, voiced support for the Social Democratic government against the of the Communists.
Ian Kershaw
Looking back at the end of the year created a little more serious mood than before. To bring children [his son de:Felix Klee] in the world is no trifling matter! Over the entire horizon, bluish, phosphorescent flashes of sheet shining.... In fact, I really do go out into the snow [near Munich] in all seriousness, station myself there, freeze, freeze stiff, but work. I accomplish little in comparison with the abundance around me, but I accomplish a great deal in comparison with the poverty and simplicity of a small bourgeois homestead.
Paul Klee
You ask Israel to cease building settlements on the West Bank, which are intended not only to house Israelis, but to provide a defense bulwark when the Islamist armies of the surrounding states, Egypt, Jordan, Lebanon, Syria – Assad or his opponents – and Iraq, again try militarily to crush Israel. Will Britain come to Israel's aid? I recall when in one of those wars, Britain declined to deliver to Israel tanks it had purchased from your country. Britain under Chamberlain participated in the Munich sellout of Czechoslovakia. What you and your European colleagues are doing now is repeating the sellout, this time of Israel. The Czech Republic, mindful of what happened to it, is the only European country to vote no to Palestinian statehood. When one of your predecessors told the world that he offered "peace in our time," he wrote himself into history as a disgrace. How will history on this issue recall you? Why would you expect Israel to cooperate in its intended lynching?
Ed Koch
Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work..
Rembrandt