Dresden Quotes - page 3
Back in Moscow in 1925 - teacher at 'Vchutemas' of interior design and furniture at the faculty of wood and metalwork. In 1926 my most important artistic work began: designing exhibitions. In that year I was invited by the committee of the International Exhibition of Art in Dresden to design the space for contemporary art. Was sent abroad for by 'VOKS.
El Lissitsky
To get straight to the point, the local group of artist called Die Brücke would reckon it a high honour to be able to welcome you as a member. Of course you will know as little about Die Brücke as we knew about you before your ehibition at [Arnold's [gallery Arnold at Dresden. Now, one of the aims of Die Brücke is to attract all the revolutionary and fermenting elements to itself – that's the menaing of the name Brücke. The gruop also arranges several exhibitions a year, which it sends on tour in Germany... Now, dear Herr Nolde, think as you like and what you like, we hope this offer is the proper price for your tempests od colour.
Karl Schmidt-Rottluff
When we met in Berlin [1910], I arranged with Heckel and Kirchner that the three of us would go and work together on the lakes of Moritzburg near Dresden. We had long been familiar with the region, and we knew that we would have the opportunity tp paint nudes in the open air without interference... We had to find two or three people who were not professional models and would therefore pose for us without falling into studio routines.... we artists set out early every morning, laden with our equipment, followed by the models with bags full of good things toe at and drink. We lived in complete harmony, we worked and went swimming.... each of us [three] executed a great number of paintings and drawings.
Max Pechstein
The struggle for existence is very difficult here [Berlin! - in 1911 Kirchner and his Brücke-friends moved from Dresden to Berlin], but the possibilities are also greater. I hope that we can create a fruitful new school and convince many new friends of the value of our efforts.
Ernst Ludwig Kirchner
![Did you know that in 1900 I had the bold idea of renewing German art?.. .First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.. ..and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.. ..and to these forms was added pure colour, as pure as the sun generates it.. ..in line with Goethe's theory [of colours]. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden. (Ernst Ludwig Kirchner)](https://cdn.quotesdtb.com/img/quotes_images_webp/43/ernst-ludwig-kirchner-art-426843.webp)
New Dresden is not a McWorld: it's a shitty little flea hole populated by pathologically suspicious Serbs, bumptiously snobbish Saxons, three different flavors of Balkan refugee, and an entire bestiary of psychopathic nationalist loons. The planetary national sport is the grudge match, at which they are undisputed past masters. I say "past masters” for a reason-they're not as bad as they used to be. The planet has been unified for the past ninety years, since the survivors finished merrily slaughtering everyone else, formed a federation, had a nifty little planetary-scale nuclear war, formed another federation, and buried the hatchet.
Charles Stross
Under the same circumstances - and the key words are "the same circumstances" - yes, I would do it again. We were in a war for five years. We were fighting an enemy that had a reputation for never surrendering, never accepting defeat. It's really hard to talk about morality and war in the same sentence. In a war, there are so many questionable things done. Where was the morality in the bombing of Coventry, or the bombing of Dresden, or the Bataan Death March, or the Rape of Nanking, or the bombing of Pearl Harbor? I believe that when you're in a war, a nation must have the courage to do what it must to win the war with a minimum loss of lives.
Theodore Van Kirk
And the city was lovely, highly ornamented, like Paris, and untouched by war. It was supposedly an "open” city, not to be attacked since there were no troop concentrations or war industries there. But high explosives were dropped on Dresden by American and British planes on the night of February 13, 1945, just about twenty-one years ago, as I now write. There were no particular targets for the bombs. The hope was that they would create a lot of kindling and drive firemen underground. And then tens of thousands of tiny incendiaries were scattered over the kindling, like seeds on freshly turned loam. More bombs were dropped to keep firemen in their holes, and all the little fires grew, joined one another, became one apocalyptic flame. Hey presto: fire storm. It was the largest massacre in European history, by the way. ... Everything was gone but the cellars where 135,000 Hansels and Gretels had been baked like gingerbread men.
Kurt Vonnegut
Never - never in my whole life - has my head spun as much from a book as it did with Rosenberg's Myth. Not because his writings were exceptionally profound, difficult to comprehend or emotionally overwhelming, but because Clemens hammered on my head with the book for minutes on end. (Clemens and Weser were the principal torturers of the Jews in Dresden, and they were generally differentiated as the Hitter and the Spitter.) ‘How dare a Jewish pig like you presume to read a book of this kind?' Clemens yelled. To him it seemed like the desecration of a consecrated wafer. ‘How dare you have a book here from the lending library?' Only the fact that the volume had demonstrably been borrowed in the name of my Aryan wife, and, moreover, that the sheet of notes which accompanied it was torn up without being deciphered, saved me at the time from the concentration camp.
Victor Klemperer
I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woodcut more freely through the simply ripped out sketch on the log (alder, lime tree, poplar), which would be utilized from here on out. Then finally came a short cobbler knife, and without a pré-sketch, the hand cuts freely into the wood a woodcut, just like it would work on paper with the pen.
Erich Heckel
My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
Charles J. Shields
Stop,” Holden said. "I don't care. I don't want to hear any more of your stories about how being a cop makes you wiser and deeper and able to face the truth about humanity. As far as I can tell, all it did was break you. Okay?”
"Yeah, okay.”
"Dresden and his Protogen buddies thought they could choose who lives and who dies. That sound familiar? And don't tell me it's different this time, because everyone says that, every time. And it's not.
Daniel Abraham