Milton Quotes - page 3
When I had my own company on Traffic and Coonskin, all metaphors were able to get to the screen clearly. In Cool World, with the producer and Paramount watching me carefully to make sure I was in good taste, I instinctively poured stuff into the picture that I wanted to talk about. But when you force stuff, it's not really very clear. But, I have a great love for Max Fleischer, especially some of his Black & White Betty Boops with their strange Cab Calloway and Louis Armstrong black folk tale jazz hipness that part of Cool World was a homage in style to those films and that style of cartooning. The Grim Reaper is right out of a Max Fleischer cartoon or old Terrytoons, which is why I hired and love Milton Knight the artist. He understands totally the Uncle Remus fable like qualities behind Fleischer and Terrytoons. Milton Knight is probably the purest artist of that style in the business. He has a hard time because studios think he is old fashioned...but that's the point.
Ralph Bakshi
Welcome to the early twenty-first century, human.
It's night in Milton Keynes, sunrise in Hong Kong. Moore's Law rolls inexorably on, dragging humanity toward the uncertain future. The planets of the solar system have a combined mass of approximately 2 x 10 kilograms. Around the world, laboring women produce forty-five thousand babies a day, representing 10 MIPS of processing power. Also around the world, fab lines casually churn out thirty million microprocessors a day, representing 10 MIPS. In another ten months, most of the MIPS being added to the solar system will be machine-hosted for the first time. About ten years after that, the solar system's installed processing power will nudge the critical 1 MIPS per gram threshold-one million instructions per second per gram of matter. After that, singularity-a vanishing point beyond which extrapolating progress becomes meaningless. The time remaining before the intelligence spike is down to single-digit years ...
Charles Stross
Verse no longer stands at the centre of communicative discourse. It is no longer, as it was from Homer to Milton, the natural repository of knowledge and traditional sentiment. It no longer gives to society its main record of past grandeur or its natural setting for prophecy, as it did in Virgil and Dante. Verse has grown private. It is a special language which the individual poet insinuates, by force of personal genius, into the awareness of his contemporaries, persuading to learn and perhaps hand on his own uses of words. Poetry has become essentially lyric - that is to say, it is the poetry of private vision rather than of public or of national occasion.
George Steiner
The theology taught by Milton was dear to the Puritan heart. It was accepted by New England, and it poisoned the souls and ruined the lives of thousands. The genius of Shakespeare could not make the theology of Milton poetic. In the literature of the world there is nothing, outside of the "sacred books,” more perfectly absurd.
Robert G. Ingersoll
I can scarcely conceive (would my brain be a spellbound mirror?) a type of beauty without unhappiness. Supported by - others would say, obsessed by - these notions, one may conceive it would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, - as rendered by Milton.
Charles Baudelaire
I just wanted to say something about (...) my resentment of the identification of this country of Britain with royalty. As if we have nothing else to offer as a culture – the country of my birth. The great contribution, of the English anyway, to the world is literature and language. That language and literature is, in fact, in its tradition quite extensively republican and democratic. I mean our Blake, Milton, our Shelley, many many other great writers, poetry and prose, have been against the idea that Britain is a feudal or monarchic system. One of the great aspects of that tradition is represented by the name Thomas Paine, who is the moral author of your Declaration of Independence. In fact, one of the great accomplishments of the English republican movement, if you like, is the American Declaration of Independence. So it has always struck me as rather bizarre that there is this cult in the United States of English royalism – just the sort of thing I left England to get away from.
Christopher Hitchens
In the last decade or two there has grown up in this country, principally under the leadership of Professor Milton Friedman, a school calling itself the Monetarists. The leaders sometimes sum up their doctrine in the phrase: "Money matters," and even sometimes in the phrase: "Money matters most."
Henry Hazlitt
Shakespeare is the Spinosistic deity - an omnipresent creativeness. Milton is the deity of prescience; he stands ab extra, and drives a fiery chariot and four, making the horses feel the iron curb which holds them in. Shakspeare's poetry is characterless; that is, it does not reflect the individual Shakspeare; but John Milton himself is in every line of the Paradise Lost. Shakspeare's rhymed verses are excessively condensed, - epigrams with the point every where; but in his blank dramatic verse he is diffused, with a linked sweetness long drawn out.
Samuel Taylor Coleridge
Millions of people in Britain must have been very surprised to hear that the language of Chaucer, of Shakespeare and of Milton must in future be regarded as an undesirable American import from which we have to protect ourselves if we are to build a new Europe. We can agree that the French own the supreme prose literature in Europe. But if we are to prove –– if we have to prove –– our Europeanism by accepting that French is the dominant language in the Community, then my answer is quite clear, and I will say it in French in order to prevent any misunderstanding: Non, merci beaucoup.
James Callaghan
Shakespeare, no mere child of nature; no automaton of genius; no passive vehicle of inspiration possessed by the spirit, not possessing it; first studied patiently, meditated deeply, understood minutely, till knowledge became habitual and intuitive, wedded itself to his habitual feelings, and at length gave birth to that stupendous power by which he stands alone, with no equal or second in his own class; to that power which seated him on one of the two glorysmitten summits of the poetic mountain, with Milton аs his compeer, not rival. While the former darts himself forth, and passes into all the forms of human character and passion, the one Proteus of the fire and the flood; the other attracts all forms and things to himself, into the unity of his own Ideal. All things and modes of action shape themselves anew in the being of Milton; while Shakspeare becomes all things, yet for ever remaining himself.
Samuel Taylor Coleridge
Even as I pursued a doctorate in the history of ideas in my native Denmark, I realized I had neither the encyclopedic training nor the passion for cool logic - not to mention the nerve - to follow in the footsteps of classical liberal philosophers and economists such as Robert Nozick, Friedrich Hayek, and Milton Friedman.
Anne Fortier