Mozart Quotes - page 3
I collected 599 pictures of Elizabeth Taylor - some people find that obsessive. I collected 599. Not 600, but 599. I feel that genius and obsession be the same thing. It is rare when a woman is driven by obsession. Similarly, it is rare when a woman is a genius. That's why I said one of my most notorious sentences, that there is no woman Mozart because there is no woman Jack the Ripper. Men are more prone to obsession because they are fleeing domination by women. They flee to a chess game or to a computer or to fixing a car, or whatever, to attempt to complete their identities, because they always feel incomplete.
Camille Paglia
Out whole civilization was a cemetery where Jesus Christ and Socrates, Mozart and Haydn, Dante and Goethe were but indecipherable names on moldering stones; and the mourners who stood round affecting a pretense of sorrow would give much to believe in these inscriptions which once were holy, or at least to utter one heart-felt word of grief and despair about this world that is no more. And nothing was left them but the embarrassed grimaces of a company round a grave.
Hermann Hesse
Play us a tune on an unbroken spinet, and let the bells ring, let the bells ring! Play music now: play us a tune on an unbroken spinet. Do not make echoes of forgotten time, do not strike music from old broken keys, do not make ghosts with faded tinklings on the yellowed board; but play us a tune on an unbroken spinet, play lively music when the instrument was new, let us see Mozart playing in the parlor, and let us hear the sound of the ladies' voices. But more than that; waken the turmoil of forgotten streets, let us hear their sounds again unmuted, and unchanged by time, throw the light of Wednesday morning on the Third Crusade, and let us see Athens on an average day.
Thomas Wolfe
So, too, in the Vedanta the whole world is seen as the lila and the maya of the Self, the first word meaning "play" and the second having the complex sense of illusion (from the Latin ludere, to play), magic, creative power, art, and measuring-as when one dances or draws a design to a certain measure. From this point of view the universe in general and playing in particular are, in a special sense, "meaningless": that is, they do not-like words and symbols-signify or point to something beyond themselves, just as a Mozart sonata conveys no moral or social message and does not try to suggest the natural sounds of wind, thunder, or birdsong.
Alan Watts
The fundamental difference between composing for a nobleman or a personal patron in general and working for the anonymous concert public is that the commissioned work is usually intended for a single performance, whereas the concert piece is written for as many repeats as possible. That explains not only the greater degree of care with which such a work is often composed but also the more exacting way in which the composer presents it. Now that it is possible to create works which would not be consigned to oblivion so quickly as commissioned works, he 76 sets out to create ‘immortal' works. Haydn already composes much more cautiously and slowly than his predecessors. But even he writes over a hundred symphonies; Mozart writes only half as many and Beethoven only nine.
Arnold Hauser
At first we got along very well. Esipova even boasted outside the class that she had pupils who wrote sonatas (I completed Sonata, Op. 1, and played it to Esipova, who took it home and inserted pedaling). But before long trouble began. Esipova's method of teaching was to try to fit everyone into a standard pattern. True, it was a very elaborate pattern, and if the pupil's temperament coincided with her own, the results were admirable. But if the pupil happened to be of an independent cast of mind Esipova would do her best to suppress his individuality instead of helping to develop it. Moreover, I had great difficulty in ridding myself of careless playing, and the Mozart, Schubert and Chopin which she insisted on were somehow not in my line. At that period I was too preoccupied with the search for a new harmonic idiom to understand how anyone could care for the simple harmonies of Mozart.
Anna Yesipova
It always saddens me to think that after all I am not yet a proper musician; but I have more aptitude for the calling than probably many of the younger generation have as a rule. It gets knocked out of you. Boys should be allowed to indulge themselves in jolly music; the serious kind comes of its own accord, although the lovesick does not. How lucky is the man who, like Mozart and others, goes to the tavern of an evening and writes some fresh music. For he lives while he is creating.
Johannes Brahms