Timeless Quotes - page 3
I think all these new sculptors [after World War 2. ] – he Anthony Caro is not all that young though – are taking stand against abominable architecture since the war and I think rightly so. But again I feel it's not enough to be against something. You have to do something that will damn well replace it. Where do you put these sculptures?... I like to think that time is timeless and I wouldn't want to make a work which wouldn't last for more than ten years – nor a work that wouldn't go anywhere. It would make me terrible mad. Mind you, I have to wait to find for my work. It doesn't happen all that easily, but it does happen. It slips in somewhere. Before the war the architects were very much one with the sculptors, painters, everybody. We thought alike. Then the war was over.... the architects gave up coming to look at sculpture and painting.
Barbara Hepworth
One of the most wonderful and engaging things I've learned is that we are the culmination and extension of each other's histories and there is more that binds us together than separates us, and in discovering this, perhaps our needs are timeless and universal.
I have a very deep interest in religion and spirituality. I like the Sufi perspective, which suggests that it is better to participate in the world than to become detached from the world.
Loreena McKennitt
I sincerely hope, trust, and pray that this part of my journey will not seem as dull to you as it did to me at the time, or as it does to me now while I write of it. But now I come to think of it, it cannot seem as dull, for I had to walk that wretched thirty miles or so all the day long, whereas you have not even to read it; for I am not going to say anything more about it, but lead you straight to the end.Oh, blessed quality of books, that makes them a refuge from living! For in a book everything can be made to fit in, all tedium can be skipped over, and the intense moments can be made timeless and eternal.
Hilaire Belloc
1. To us art is an adventure into an unknown world, which can be explored only by those willing to take the risks.
2. This world of imagination is fancy-free and violently opposed to common sense.
3. It is our function as artists to make the spectator see the world our way not his way.
4. We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
5. It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. (Rothko said this is the essence of academicism.)
6. There is no such thing as a good painting about nothing.
7. We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless. That is why we profess spiritual kinship with primitive and archaic art.
Adolph Gottlieb
The virus was not helping. He had hoped that it would, but the feelings it brought were too superficial. When he most needed their succour he could feel them for the paper-thin façades they were. Just because the virus was tickling the parts of his brain that produced feelings of religious experience didn't mean he was able to turn off the other parts of his mind that recognised these feelings as having been induced artificially. He truly felt himself to be in the presence of something sacred, but he also knew, with total clarity, that this was due to neuroanatomy. Nothing was really with him: the organ music, the stained-glass windows in the sky, the sense of proximity to something huge and timeless and infinitely compassionate were all explicable in terms of neural wiring, firing potentials, synaptic gaps.
Alastair Reynolds
Today everyone knows that inequality is wrong. A century ago everyone knew that gay sex was wrong. The intuitions people have on moral questions are intensely felt. They are also shallow and transient to the last degree.... Justice is an artefact of custom. Where customs are unsettled its dictates soon become dated. Ideas of justice are as timeless as fashion in hats.
John N. Gray
For this companion volume to A New Earth, I selected passages from the original book that felt particularly suitable for inspirational or meditative reading. For this reason I do not recommend that you read this book straight through from cover to cover. It would be far more beneficial to read, at the most, one chapter at a time, stopping at and perhaps rereading whatever passages elicit an inner response. Then let the words sink in and sense the truth to which they point, which is, of course, already within you. It can also be helpful to open the book at random occasionally, read one page or just one passage and let the words point the way to that dimension deep within that is beyond words, beyond thought. The truth to which the words point, the timeless dimension of consciousness, cannot be arrived at through discursive thought and conceptual understanding.
Eckhart Tolle
In what time does man live? The thinkers have always known that he does not live in any time at all. The immortality of thoughts and deeds banishes him to a timeless realm at whose heart an inscrutable death lies in wait. ... Devoured by the countless demands of the moment, time slipped away from him; the medium in which the pure melody of his youth would swell was destroyed. The fulfilled tranquility in which his late maturity would ripen was stolen from him. It was purloined by everyday reality, which, with its events, chance occurrences, and obligations, disrupted the myriad opportunities of youthful time, immortal time. ... From day to day, second to second, the self preserves itself, clinging to that instrument: time, the instrument that it was supposed to play.
Walter Benjamin