Cage Quotes - page 3
Actually, when I was young, I believe I met Nicolas Cage. I think I was probably eight, and I remember seeing him at somebody's house - it was an event and he happened to be there. People would ask me if I was his son, because I looked like him at that point, so I do remember feeling some connection and just wanting to say, like, 'Papa!'
Simon Helberg
Olaf: Of course I'm trying to trick you! That's the way of the world, Baudelaires. Everyone runs around with their secrets and their schemes, trying to outwit everyone else. Ishmael outwitted me, and put me in this cage. But I know how to outwit him and all his islander friends. If you let me out, I can be king of Olaf-Land, and you three can be my new henchfolk.
Daniel Handler
It is a special kind of secret how these Asiatic elements [of American Indians] came over the Bering Strait long ago. It's the same with the coyote. When I worked with the coyote [this quote refers to the performance by Beuys when he was locked up together with a coyote in a cage for a few days in René Block Gallery, New York City in 1974], I had the idea that it was not an indigenous animal. It came as a wolf with the Indians over the Bering Strait. And this Asiatic wolf, or step wolf, changed his whole biological configuration and behavior. Then it was my idea to import the coyote once more back to Europe, and you could see it [the coyote] change back to the European wolf or Siberian wolf. It is a transformed European wolf, the coyote, how it came to the character of a brush wolf.
Joseph Beuys
I met him Cummingham around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasn't just the movement but also the music he worked with, which was unfamiliar to me... Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company... I can't say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John [Cage] was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn... He could apply his ideas on space and time to painting, or music or architecture... I don't have a clear sense of cause and effect in my painting, but it is probably there.
Jasper Johns
Once, I made a kind of sculpture of a flag in bronze: it was an edition of three, I think. One of them was given on some occasion to President Kennedy. I became very upset that this was happening. It was given on Flag Day! (he laughs). It seemed to me to be such a terrible thing to happen. I complained bitterly to my very good friend John Cage, [the composer]. He said: "Don't let it worry you. Just consider it as a pun on your work."
Jasper Johns
The photo can insist on reviewing moments that were unseen, or not know they were seen but passed in viewing. John Cage said (I don't know if they were his own remarks or Zen) his goal was not to get somewhere; he just wanted to enjoy the trip. That's the quality I want in all of my work, that a specific goal or accomplishment would be allied to the fact. I noticed a long time age, when I went to a strange country, that I had the best time and the greatest experiences when I thought I was lost, because when you are lost you look so much harder.
Robert Rauschenberg
While Hindu activists are always treated like animals in a zoo, never allowed to speak for themselves, always condemned to be judged by what someone else has written on the signboard in front of their cage, Muslim fanatics are invited to serve as zoo guides, competent to inform the ignorant outsider about the meanness of these beasts safely locked up in their cages.
Koenraad Elst
I want to say something to the National Union of Students. When you choose to ally yourselves with an organisation like CAGE, which called Jihadi John a "beautiful young man” and told people to "support the jihad” in Iraq and Afghanistan, it really does, in my opinion, shame your organisation and your noble history of campaigning for justice.
David Cameron
When I looked up at my father as a boy, I thought being a man was having control. Being the master and commander of your own destiny. How could any boy know that freedom is lost the moment you become a man. Things start to count. To press in. Constricting slowly, inevitably, creating a cage of inconveniences and duties and deadlines and failed plans and lost friends. I'm tired of people doubting. Of people choosing to believe they know what is possible because of what has happened before.
Pierce Brown