Museum Quotes - page 4
The problem which Mondrian undertook to solve in nr. 116 [a new painting of Mondrian, exhibited in a group-exhibition in the Stedelijk Museum in 1915 in Amsterdam] was handled very successfully. This work spiritually dominates all others. It gives the impression of Repose; the repose of the soul. Its predetermined structure embodies 'becoming' rather than 'being'. This represents a true element in art, for art is not 'being', but 'becoming'. The idea of 'becoming' has been expressed in black and white.... Through years of hard work my own experiences have led me, before I came to know the theories of Uexkuell or Picasso, to prefer the use of the white-black-grey palette in works of a purely spiritual content...
Theo van Doesburg
I was like a gravedigger while I painted these corpses [of the dead Baader-Meinhoff members]. It was just work. If I felt one of them looked too theatrical, I painted over it... I was afraid more of the reaction on the left than the right. It was still very dangerous to deal with this subject in Germany. There was fear that the museum where I showed them might be bombed. All my friends were on the left, but I was not. They said: 'Someone with the right mentality could do this, but not Richter - he is too bourgeois. He steals Baader-Meinhof away from us.' To me, they were part of the problem. I was standing outside watching how people, on both sides [left / right], ignored the truth because of their beliefs, beliefs that made them crazy. That was the point of the pictures.
Gerhard Richter
Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings. As soon as one does work on walls, the idea of using the whole wall follows. It means that the art is intimately involved with the architecture. It is available to be seen by everyone. It avoids the preciousness of gallery or museum installations. Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
Sol LeWitt
In writing about India, it is all too common to starkly ignore the Hindu voice. .... The only Hinduism which they like is museum Hinduism; any Hinduism that displays a will to survive is treated with the same horror that would be aroused if a mummy were to show signs of life. (p. 73-74)
Koenraad Elst
Yet I also appreciate that we cannot win this battle to save species and environments without forging an emotional bond between ourselves and nature as well-for we will not fight to save what we do not love (but only appreciate in some abstract sense). So let them all continue-the films, the books, the television programs, the zoos, the little half acre of ecological preserve in any community, the primary school lessons, the museum demonstrations, even [...] the 6:00 A. M. bird walks. Let them continue and expand because we must have visceral contact in order to love. We really must make room for nature in our hearts.
Stephen Jay Gould
Henry Fairfield Osborn, the dominant paleontologist of his era, and long time director of the American Museum of Natural History, gave the "standard version in his popular book of 1918, The Origin and Evolution of Life... "Lamarck attributed the lengthening of the [giraffe's] neck to the inheritance of bodily modifications caused by the neck-stretching habit. Darwin attributed the lengthening of the neck to the constant selection of individuals and races which were born with the longest necks. Darwin was probably right."
Stephen Jay Gould
Of course there is no prima facie reason why cheap things should be ugly, for a die or mould of a good design costs no more than a bad one; but still the fact remains that the objects in use in every-day life are not beautiful, and it is to effect a change in this respect that the Government have established Schools of Design and the excellent Museum of which I shall have to speak hereafter.
William Burges
I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how powerfully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right. [...] The exuberance is all of one piece-organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation-a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.
Stephen Jay Gould
I had long wished for some opportunity of endeavouring to explain... the principles on which the instruments of an Observatory are constructed, (omitting all details, so far as they are merely subsidiary,) and the principles on which the observations made with these instruments are treated...
Such an opportunity appeared to present itself in the course of Lectures which I engaged to give to the Members of the Ipswich Museum and their friends.
George Biddell Airy
...a clear lesson I learned in the museum was that outside forces that tend to divide people up inside their country are unbelievably counterproductive. In other words, people came from other countries - I guess you'd call them colonialists - and they pitted one group of people against another.
George W. Bush
Are you all right, sir?” asked Hezekiah.
"Just fighting over old battles in my mind,” said John. "It's the problem with age. You have all these rusty arguments, and no quarrel to use them in. My brain is a museum, but alas, I'm the only visitor, and even I am not terribly interested in the displays.
Orson Scott Card
I am very proud now that we have a museum on the National Mall where people can learn about Reverend King, so many other things, Frederick Douglass is an example of somebody who's done an amazing job and is getting recognized more and more, I notice. Harriet Tubman, Rosa Parks, and millions more black Americans who made [[America] what it is today. Big impact.
Donald Trump
In 1987 a Civil Service inquiry decided that the pay of the Director of the Tate Gallery should match that of the Director of the much larger Victoria & Albert Museum and of the National Gallery, where the pictures were regarded as being much more important, because, and here I quote, "the Director of the Tate has to deal with the very difficult problem of modern art."
Nicholas Serota
A visit to a studio never fails to test my resources. It constantly reminds me of the condition in which most people first confront contemporary art. This is a state of "not knowing", of "not understanding", of being disorientated or challenged by the unfamiliar. One of my responsibilities as a curator is therefore to remember that a visitor encountering an unfamiliar work of art in the museum is likely to be as unprepared as I was in the studio. But I've come to realise that it's precisely when I am most challenged in my own reactions that the deepest insights emerge.
Nicholas Serota
For in spite of much greater public interest in all aspects of visual culture, including design and architecture, the challenge posed by contemporary art has not evaporated. We have only to recall the headlines for last year's Turner Prize. "Eminence without merit" (The Sunday Telegraph). "Tate trendies blow a raspberry" (Eastern Daily Press), and my favourite, "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled bed threaten to make barbarians of us all" (The Daily Mail). Are these papers speaking the minds of their readers? I have no delusions. People may be attracted by the spectacle of new buildings, they may enjoy the social experience of visiting a museum, taking in the view, an espresso or glass of wine, purchasing a book or an artist designed t-shirt. Many are delighted to praise the museum, but remain deeply suspicious of the contents.
Nicholas Serota
In 'A Room of One's Own', Virginia Woolf satirically describes her perplexity at the bulging card catalog of the British Museum: why, she asks, are there so many books written by men about women but none by women about men? The answer to her question is that from the beginning of time men have been struggling with the threat of woman's dominance.
Camille Paglia
Nye grew up in a science-minded family in Washington, D.C. His mom was a math and science whiz. His dad manufactured sundials. His grandfather was an organic scientist. Fittingly, one of young Bill's favorite hangouts was the original Smithsonian National Air and Space Museum, which looked like a small Quonset hut.
Bill Nye
What can I do with this memory?
Shake the bones out of it?
Defoliate the smile?
Stub out the chin with cigarettes?
Take the face of the man I love
and squeeze my foot into it,
when all the while my heart is making a museum?
I love you the way the oboe plays.
I love you the way skinny dipping makes my body feel.
I love you the way a ripe artichoke tastes.
Yet I fear you,
as one in the desert fears the sun.
Anne Sexton