Contrast Quotes - page 4
![In contrast to the old monumental art [the book] itself goes to the people, and does not stand like a cathedral in one place waiting for someone to approach.. ..[The book is the] monument of the future. (c. 1930) (El Lissitsky)](https://cdn.quotesdtb.com/img/quotes_images_webp/71/el-lissitsky-approach-art-427371.webp)
What we demand from the Soviet architect is that, as an artist and because of his perceptive intellect, he will fully comprehend and amplify the faintest ripple of developing energies much sooner than the masses - who tend to be shortsighted as far as their own growth is concerned - and that he will transform this energy into tangible architectural form.. .The club's role is to become a University of Culture. If one accepts the premise that private dwellings should strive to operate on the basis of the greatest possible austerity, then by contrast, public dwellings should provide the maximum of available luxury accessible to all. The term 'reconstruction' is therefore not applicable to this case, since there is no building precedent in the past.
El Lissitsky
The most beautiful conception of immortality of which I know, and certainly one that by contrast shows the utter vulgarity of Christian ideas, is set forth in Pindar's second Olympian: after three or six lives in which a man has lived with strict justice and perfect integrity, he passes beyond the tower of Cronus to the fair realm that cannot be reached by land or sea, where gentle breezes from a placid ocean blow forever on the fields of asphodel. For a description, see Pindar. If the beauty of great poetry can commend a religion, here you have it.
Revilo P. Oliver
..it [painting art] has never been so truly realistic, so firmly attached to its own period as it is today. A kind of painting that is realistic in the highest sense is beginning to appear, and it is here today.. .The advertising billboard, dictated by modern commercial needs, that brutally cuts across a landscape.. ..this yellow or red poster shouting in a timid landscape, is the best of possible reasons for the new painting; it topples the whole sentimental literary concept and announces the advent of plastic contrast.
Fernand Léger
One day I had painted a bunch of keys on a canvas, my bunch of keys. I didn't know what to put next to them. I needed something that would be the absolute opposite of a bunch of keys. So when I finished work I went out. I had only walked a few yard when what should I see in a shop windows? A postcard of the Mona Lisa! At once I knew that was what I needed; what could have made a greater contrast to the keys?... Then I also added a can of sardines. It was such a strong contrast.
Fernand Léger
Contrast = dissonance, and hence a maximum expressive effect. I will take as an example a commonplace subject: the visual effect of curled and round puffs of smoke rising between houses. You want to convey their plastic value.. .Here you have the best example on which to apply research into multiplicative intensities. Concentrate your curves with the greatest possible variety without breaking up their mass; frame them by means of the hard, dry relationship of the surfaces of the houses, dead surfaces that will acquire movement by being colored in contrast to the central mass and being opposed by live forms; you will obtain a maximum effect.
Fernand Léger
The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.
John Constable
Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.
Theo van Doesburg
It is only mental habit that prevents us from realizing how miraculous it is that motion can be passed from one body to another. Once our eyes have opened, nothing is so striking. For those who have never thought about it, it doesn't seem mysterious; by contrast, those who have meditated on it may despair of ever understanding it.
Pierre Louis Maupertuis
Euclidean geometry can be easily visualized; this is the argument adduced for the unique position of Euclidean geometry in mathematics. It has been argued that mathematics is not only a science of implications but that it has to establish preference for one particular axiomatic system. Whereas physics bases this choice on observation and experimentation, i.e., on applicability to reality, mathematics bases it on visualization, the analogue to perception in a theoretical science. Accordingly, mathematicians may work with the non-Euclidean geometries, but in contrast to Euclidean geometry, which is said to be "intuitively understood," these systems consist of nothing but "logical relations" or "artificial manifolds". They belong to the field of analytic geometry, the study of manifolds and equations between variables, but not to geometry in the real sense which has a visual significance.
Hans Reichenbach
I guess I have an eclectic taste [about (500) Days of Summer, G. I. Joe, and Uncertainty all in one year], I don't just like one thing. Contrast is key. What do they say? Variety is the spice of life. My favorite actors are the chameleons, guys like Daniel Day-Lewis, Billy Bob Thornton, Meryl Streep, people who are always different.
Joseph Gordon-Levitt
In India, the negationists have managed what European negationists can only dream of: turn the tables on honest historians and marginalize them. People who have specialized in adapting history to the party-line, are lecturing others about the political abuse of history. By contrast, genuine historians who have refused to tamper with the record of Islam (like Jadunath Sarkar, R. C. Majumdar, K. S. Lal) are held us as examples of communalist historywriting in textbooks which are required reading in all history departments in India.
Koenraad Elst
My job was not to survey other people's opinions about the Hindu movement. That would have been an interesting exercise, especially if it is called by its name, viz. a survey of outsider opinions, and not (as many such academic publications are) falsely presented as a study of the Hindu movement itself. By contrast, I endeavoured to get beyond the secondary--source and mainly hostile-source "research" that has so disastrously filled up this field of study, and focus on the primary sources instead.
Koenraad Elst
Botvinnik grew up in an assimilated family, but encountered antisemitism in daily life. He displayed courage in the dark years of Stalin and after, and published warm words about Israel, Pinhas Rutenberg, and the kibbutz, defending the right of the Jews to live in their ancient homeland. In contrast to other Jewish cultural activists, he never signed letters condemning Israel.
Mikhail Botvinnik
Slavery to State and men has disappeared only to make room for slavery to things and Self, to one's own vices and idiotic social customs and ways. Rapid civilization, adapted to the needs of the higher and middle classes, has doomed by contrast to only greater wretchedness the starving masses.
Helena Petrovna Blavatsky
We distinguish diagrammatic from sentential paper-and-pencil representations of information by developing alternative models of information-processing systems that are informationally equivalent and that can be characterized as sentential or diagrammatic. Sentential representations are sequential, like the propositions in a text. Diagrammatic representations are indexed by location in a plane. Diagrammatic representations also typically display information that is only implicit in sentential representations and that therefore has to be computed, sometimes at great cost, to make it explicit for use. We then contrast the computational efficiency of these representations for solving several.illustrative problems in mathematics and physics.
Herbert Simon
Every social system is a functioning entity. That is, it is a system of interdependent structures and processes such that it tends to maintain a relative stability and distinctiveness of pattern and behaviour as an entity by contrast with its - social or other - environment, and with it a relative independence from environmental forces. It "responds", to be sure, to the environmental stimuli, but is not completely assimilated to its environment, maintaining rather an element of distinctiveness in the face of variations in environmental conditions. To this extent it is analogous to an organism.
Talcott Parsons
It was found [in the 1970s], unexpectedly and without anyone really having a concept for it, that the rules of perturbation theory can be changed in a way that makes relativistic quantum gravity inevitable rather than impossible. The change is made by replacing point particles by strings. Then Feynman graphs are replaced by Riemann surfaces, which are smooth - unlike the graphs, which have singularities at interaction vertices. The Riemann surfaces can degenerate to graphs in many different ways. In field theory, the interactions occur at the vertices of a Feynman graph. By contrast, in string theory, the interaction is encoded globally, in the topology of a Riemann surface, any small piece of which is like any other. This is reminiscent of how non-linearities are encoded globally in twistor theory.
Edward Witten