It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.
Maria CallasRelated topics
distance film house large making microphone projection seen senseRelated quotes
I know so well what becomes of unmarried women who aren't prepared to occupy a position. I've seen such pitiful cases in the South - barely tolerated spinsters living upon the grudging patronage of sister's husband or brother's wife! - stuck away in some little mouse-trap of a room - encouraged by one in-law to visit another - little birdlike women without any nest - eating the crust of humility all their life! Is that the future that we've mapped out for ourselves?
Tennessee Williams
Desire, to know why, and how, CURIOSITY; such as is in no living creature but Man; so that Man is distinguished, not only by his Reason; but also by this singular Passion from other Animals; in whom the appetite of food, and other pleasures of Sense, by predominance, take away the care of knowing causes; which is a Lust of the mind, that by a perseverance of delight in the continual and indefatigable generation of Knowledge, exceedeth the short vehemence of any carnal Pleasure.
Thomas Hobbes
[L]ife, individual or collective, personal or historic, is the one entity in the universe whose substance is compact of danger, of adventure. It is, in the strict sense of the word, drama. ... [T]he primary, radical meaning of life appears when it is employed in the sense not of biology, but of biography. For the very strong reason that the whole of biology is quite definitely only a chapter in certain biographies, it is what biologists do in the portion of their lives open to biography.
José Ortega y Gasset
God always was, and always is, and always will be. Or rather, God always Is. For Was and Will be are fragments of our time, and of changeable nature, but He is Eternal Being. And this is the Name that He gives to Himself when giving the Oracle to Moses in the Mount. For in Himself He sums up and contains all Being, having neither beginning in the past nor end in the future; like some great Sea of Being, limitless and unbounded, transcending all conception of time and nature, only adumbrated [intimated] by the mind, and that very dimly and scantily.
Gregory of Nazianzus
I have seen here [in London] a play on Faust, the most diabolic thing imaginable. The Mephistopheles is a masterpiece of caricature and intelligence. It is Goethe's 'Faust', but adapted; the principle features are preserved. They have made it into an opera mixed with comedy and with everything that is most sombre. The scene in the church is given with the priest's chanting and the organ in the distance. Impossible to carry an effect further, in the theater.
Eugène Delacroix