Well I came across Marx rather late in life actually, and when I read him, two things: first of all I realised that he'd come to the conclusion about capitalism which I'd come to much later, and I was a bit angry he'd thought of it first; and secondly, I see Marx who was an old Jew, as the last of the Old Testament Prophets, this old bearded man working in the British Library, studying capitalism, that's what 'Das Kapital' was about, it was an explanation of British capitalism. And I thought to myself, 'Well anyone could write a book like that, but what infuses, what comes out of his writing, is the passionate hostility to the injustice of capitalism. He was a Prophet, and so I put him in that category as an Old Testament Prophet.
Tony BennRelated topics
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The world 'bubble' is in the dictionary, as is the word 'peacock,' the word 'vacation,' and the words 'the,' 'author's,' 'execution,' 'has,' 'been,' 'canceled,' which make up a sentence that is always pleasant to hear. So, if you were to read the dictionary, rather than this book, you could skip the parts about 'nervous' and 'anxious' and read about things that wouldn't keep you up all night, weeping and tearing your hair out. But this book is not a dictionary, and if you were to skip the parts about 'nervous' and 'anxious' you would be skipping the most pleasant parts of the entire story. Nowhere in this book will you find the words 'bubble,' 'peacock,' 'vacation,' or, unfortunately for me, anything about an execution being canceled.
Daniel Handler
Mary's treatment of respectable and law-abiding people who had no favors to ask, and were reasonably confident of getting to heaven by the regular judgment, without expense, rankled so deeply that three hundred years later the puritan reformers were not satisfied with abolishing her, but sought to abolish the woman altogether as the cause of all evil in heaven and on earth. The puritans abandoned the New Testament in order to go back to the beginning, and renew the quarrel with Eve. This is the Church's affair, not ours, and the women are competent to settle it with Church or State, without help from outside; but honest tourists are seriously interested in putting the feeling back into the dead architecture where it belongs.
Henry Adams
I met him Cummingham around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasn't just the movement but also the music he worked with, which was unfamiliar to me... Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company... I can't say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John [Cage] was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn... He could apply his ideas on space and time to painting, or music or architecture... I don't have a clear sense of cause and effect in my painting, but it is probably there.
Jasper Johns
I am angry at the custom of forbidding children to call their father by the name of father, and to enjoin them another, as more full of respect and reverence, as if nature had not sufficiently provided for our authority. We call Almighty God Father, and disdain to have our children call us so. I have reformed this error in my family.-[As did Henry IV. of France]-And 'tis also folly and injustice to deprive children, when grown up, of familiarity with their father, and to carry a scornful and austere countenance toward them, thinking by that to keep them in awe and obedience; for it is a very idle farce that, instead of producing the effect designed, renders fathers distasteful, and, which is worse, ridiculous to their own children.
Michel de Montaigne
Each jazz musician is supposed to be a composer. Whether he is or not, I don't know. I don't listen to that many people. If I did, I probably wouldn't play half as much to satisfy myself. As a youth I read a book by Debussy and he said that as soon as he finished a composition he had to forget it because it got in the way of his doing anything else new and different. And I believed him. I used to work with Tatum, and Tatum knew every tune written, including the classics, and I think it got in the way of his composition, because he wasn't a Bud Powell. He wasn't as melodically inventive as Bud. He was technically flashy and he knew so much music and so much theory that he couldn't come up with anything wrong; it was just exercising his theory.
Charles Mingus