As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality scale have the ability to burrow deep into the subconscious, with unpredictable and occasionally remarkable results. Great works of art can cause euphoria, touch a deep emotional chord, or, in rare cases, affect fundamental changes in a person's outlook on life. Conversely, viewing unwatchable tripe can be damaging, possibly resulting in psychotic episodes, an appreciation of '70s fashion, or leaping to the defense of Pauly Shore. There's something almost profound about enduring a horrifically inept piece of cinema, and Coyote Ugly, living up to every letter in its name, offers the opportunity for such an experience.
James BerardinelliRelated topics
ability almost art bad burrow cause damaging deep emotional experience fashion fundamental good great leaping letter living might name ones opportunity outlook piece quality shore something sound strange subconscious synergy touch ugly viewing works cinema euphoria 70s psychotic movies unpredictableRelated quotes
...nor have I found occasion to depart from the plan... the rejection of the whole doctrine of series in the establishment of the fundamental parts both of the Differential and Integral Calculus. The method of Lagrange... had taken deep root in elementary works; it was the sacrifice of the clear and indubitable principle of limits to a phantom, the idea that an algebra without limits was purer than one in which that notion was introduced. But, independently of the idea of limits being absolutely necessary even to the proper conception of a convergent series, it must have been obvious enough to Lagrange himself, that all application of the science to concrete magnitude, even in his own system, required the theory of limits.
Augustus De Morgan
It is a strange irony, but no small compensation, that the making of weapons of destruction should afford the occasion to humanise industry. Yet such is the case. Old prejudices have vanished, new ideas are abroad; employers and workers, the public and the State, are favourable to new methods. This opportunity must not be allowed to slip. It may well be that, when the tumult of war is a distant echo, and the making of munitions a nightmare of the past, the effort now being made to soften asperities, to secure the welfare of the workers, and to build a bridge of sympathy and understanding between employer and employed, will have left behind results of permanent and enduring value to the workers, to the nation and to mankind at large.
David Lloyd George
People may wonder why I am content to prescribe such a general and apparently vague formula as "Every day, in every way, I am getting better and better" for all and every ailment. The reason is, strange as it may seem, that our subconscious mind does not need the details. The general suggestion that everything "in every way" is going well is quite sufficient to set up the procedure of persuasion which will carry its effects to the different organs and improve every function. I have had remarkable demonstration of this in the course of my long teaching and experiments. Time and again I have seen patients cured, not only of the particular disease for which they sought relief, but also of minor disabilities which they had almost forgotten.
Émile Coué
Towards the end of 1958, I greatly increased.. ..the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time.. .In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.. ..dirty clothes (socks, T-shirt, underpants...), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.
Antoni Tàpies
If Korzybski cannot be said to have established an empirical science, what then has he done? He has pointed a way toward the establishment of such a science. He was a precursor of an intellectual revolution which is just now beginning and which promises to match that of the Renaissance. If Korzybski is seen in this role, then the question of his originality or erudition is not important. He might have something of a dilettante in him. He might have pretended to have more specialized knowledge than he actually had. Great portions of his outlook might be found in the works of more modest and more meticulous workers, That is not important. He was a man of vision and an apostle. Such men are all too rare in our age of specialization.
Anatol Rapoport