This is on the basis of the Aryan invasion theory according to which 'Aryans' invaded India in the early second millennium BC, and conquered it from the 'natives'. This theory is based purely on an eighteenth century linguistic proposition, and has no basis either in archaeology, or in literature, or in the racial-ethnic composition of India. What concerns us more, so far as this present volume is concerned, is the attempt to brand Hindu religious texts, on the basis of this theory, as 'invader' texts: a UNESCO publication characterises the Rigveda as 'the epic of the destruction of one of the great cultures of the ancient world.
Shrikant TalageriRelated topics
archaeology aryan attempt century composition early eighteenth epic far great hindu invader millennium present publication secondRelated quotes
And then about whether or not to work from a given in nature. In my view, you [ Van Doesburg ] define this in a rather narrow sense. In the main, I do agree with you that the destruction of the natural, and it reconstruction, must be accomplished according to a spiritual image, but I believe that we should take a broad view here. What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky ['Composition, Checkerboard Dark Colours', 1919] and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.
Piet Mondrian
Capital, explaining the origins of the capitalist mode of production, points towards the inevitable historical decline and fall of this same social system. An economic theory based upon the historical relativity of every economic system, its strict limitation in time, tactlessly reminds Messrs the capitalists, their hangers-on and their apologists that capitalism itself is a product of history. It will perish in due course as it once was born. A new social form of economic organization will then take the place of the capitalist one: it will function according to other laws than those which govern the capitalist economy.
Ernest Mandel
...we find and we know that this attempt in Ireland to make the power and influence of the State the means of supporting one creed against another has been the plague and the scourge of the country-has divided man from man, class from class, kingdom from kingdom, and in this great, and ancient, and noble empire has had the effect of now exhibiting us to the world as a divided country-three kingdoms, two of which we are indeed heartily united and associated, but the third of which offers to mankind a spectacle painful and full of schism and destruction within itself, and alienation and estrangement as regards the Throne and Constitution of this realm.
William Ewart Gladstone
The very employers and politicians and publishers who talk most loudly of class antagonism and the destruction of the American system now undermine that system by this attempt to coerce the votes of the wage earners of this country. It is the 1936 version of the old threat to close down the factory or the office if a particular candidate does not win. It is an old strategy of tyrants to delude their victims into fighting their battles for them. Every message in a pay envelope, even if it is the truth, is a command to vote according to the will of the employer. But this propaganda is worse - it is deceit.
Franklin D. Roosevelt
The second conception of the world via the medium of matter required both a visual and a tactile perception of things. In this case the whole design process tends to emanate from the specific characteristics of the respective medium used. The leader of this movement (Tatlin) assumed.... that the intuitive and artistic mastery of materials would lead to inventions on the basis of which objects could be constructed. He believed he could prove this theory with his design for the 'Monument to the Third International' (1920), [never built]. He accomplished this task without having any special technical knowledge of construction.
El Lissitsky