In Tom Robbins' Even Cowgirls Get The Blues, the narrator attempts to describe a Whooping Crane in 25 words or less. One attempt at the description reads Imagine Wilt Chamberlain in a red yarmulke and snowy feathers... The narrator cuts off the attempt with the explanation You're assuming that the reader knows who Wilt Chamberlain is. Many people don't follow basketball and wouldn't understand that Wilt signifies size and strength and arrogance made palatable by grace.
Wilt ChamberlainRelated topics
arrogance attempt chamberlain description follow grace less narrator off red size strength whooping words blues cuts RobbinsRelated quotes
Courts are the mere instruments of the law, and can will nothing. When they are said to exercise a discretion, it is a mere legal discretion, a discretion to be exercised in discerning the course prescribed by law; and, when that is discerned, it is the duty of the Court to follow it. Judicial power is never exericised for the purpose of giving effect to the will of the Judge; always for the purpose of giving effect to the will of the Legislature; or, in other words, to the will of the law.
John Marshall
The art of the theater is action. It is the study of commitment. The word is an act. To SAY the word in such a way as to make it heard and understood by all in the theater is a commitment -- it is the highest art to see a human being out on a stage speaking to a thousand of his or her peers saying, 'These words which I am speaking are the TRUTH -- they are not an approximation of any kind. They are the God's truth, and I support them with my life,' which is what the actor does on stage.
David Mamet
The rhythmic pattern of the poem, which forces continuity of attention – incites a pleasurable compulsion to ‘follow' – is either a tried metrical suasion-contrivance or a specially invented pattern of physical insistences, equally, if not more, binding in its effect on the reader. From a straight linguistic point of view, there is room for wonder if there is not latent vice in this environment in which pleasurable physically-compelled responses, produced by incidents of poetic utterance, are identified with the Good.
Laura Riding
When I consider life, 't is all a cheat. Yet fool'd with hope, men favour the deceit; Trust on, and think to-morrow will repay. To-morrow 's falser than the former day; Lies worse, and while it says we shall be blest With some new joys, cuts off what we possest. Strange cozenage! none would live past years again, Yet all hope pleasure in what yet remain; And from the dregs of life think to receive What the first sprightly running could not give.
John Dryden
Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change."
Randall Jarrell