Reality is ungraspable. For convenience we use a limited-reality consensus in which work can be done, transport arranged, and essential services provided. The real reality is something else-only the strangeness of it can be taken in and that's what interests me: the strangeness of human consciousness; the strangeness of life and death; the strangeness of what the living and the dead are to one another; and the strangeness of ideas ... that seem to have been with us from long before the stories of them happened. The real reality, the flickering of seen and unseen actualities, the moment under the moment, can't be put into words; the most that a writer can do-and this is only rarely achieved-is to write in such a way that the reader finds himself in a place where the unwordable happens off the page.
Russell HobanRelated topics
consensus dead death done flickering human living moment off place real seen something strangeness take under use way work write wordsRelated quotes
When alone he secretly shook his head. But suddenly he recalled the analysis made by the Party secretary regarding "two kinds of social system, two attitudes, and therefore two different results." He felt as if he had seen a ray of light in the darkness. He said to himself, "Lao Chiu can endure pain of such magnitude, and in spite of his burns he is always thinking of going back to the furnace. He wants to live. Why should he not be able to live?" That moment, suddenly the doctor and the patient were drawn closely together. From then on, the doctor thought of the patient often and also tried to compare himself with Lao Chiu. The more he compared the more he felt ashamed of himself and the more eager he was to do his best for this worker. So, from the very first day the assistant surgeon learned something from his patient.
Ba Jin
Like any internationalist, I embrace Scotland's interdependence and the advantages that such interdependence confers. But in international relations - perhaps even more than the economic sphere - there are major advantages to pursuing an independent policy that promotes Scotland's global interests. Indeed it precisely because we live in an interdependent world - one where markets are integrating and information flow is unstoppable - a world where the reality of climate change acts as a daily reminder of our reliance on each other - that independence matters. Interdependence is a welcome fact of modern global politics. What matters in the Scottish national interest - above all else - are the terms on which Scotland engages. The equality of esteem, of authority between nations matters more now than it has ever done.
Alex Salmond
The same feeling [when Hartley saw a work of the American painter w:Albert Pinkham Ryder for the very first time in his life] came over me in the given degree as came out of the Emerson's Essays when they were first given to me I I felt as I have read a page of the Bible in both cases. All my essential Yankee qualities we re brought forth out of this picture and if I needed to be stamped an American this was the first picture that had done this – for it had in it everything that I knew and had experienced about my own New England – even though I had never lived by the sea – it had in it the stupendous solemnity of a Blake, [English religious painter] picture and it had a sense of realism besides that bore such a force of nature itself as to leave me breathless.
Marsden Hartley
An unbiased reader, on opening one of their [Fichte's, Schelling's or Hegel's] books and then asking himself whether this is the tone of a thinker wanting to instruct or that of a charlatan wanting to impress, cannot be five minutes in any doubt. ... The tone of calm investigation, which had characterized all previous philosophy, is exchanged for that of unshakeable certainty, such as is peculiar to charlatanry of every kind and at all times. ... From every page and every line, there speaks an endeavor to beguile and deceive the reader, first by producing an effect to dumbfound him, then by incomprehensible phrases and even sheer nonsense to stun and stupefy him, and again by audacity of assertion to puzzle him, in short, to throw dust in his eyes and mystify him as much as possible.
Arthur Schopenhauer
Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. ...After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.
Neil Postman