But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.
Jozef IsraëlsRelated topics
alabaster arms beard beautiful behind beside black cap carry city courage cut dark direction drew find floor forward front hawk head horizontal large lay light low nose parchment room saw sitting sketchbook skull small staring stone table tell white window write eyesRelated quotes
Rate of change is this mathematics known as Calculus. ... Now I hope you understand this, because I've never been able to make head nor tail of it. It must be some sort of a Black Magic operation, started out by the Luce cult - some immoral people who are operating up in New York City, Rockefeller Plaza - been thoroughly condemned by the whole society. Anyway, their rate-of-change theory - I've never seen any use for that mathematics, by the way - I love that mathematics, because it - I asked an engineer, one time, who was in his 6th year of engineering, if he'd ever used Calculus, and he told me yeah, once, once I did, he said. When did you use it? And he said I used it once. Let me see, what did you use it on? Oh yeah. Something on the rate-of-change of steam particles in boilers. And then we went out and tested it and found the answer was wrong.
L. Ron Hubbard
A Klee painting named ‘Angelus Novus' shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.
Walter Benjamin
[T]he nature of the new world system was not so different from the old. It was for the moment more stable, but a reasonable forecast would be that Africa in particular had a century of border wars ahead of it. On the other hand, such was the power of the anticolonial idea that great powers from outside a region had relatively little influence unless they were prepared to use force. China altogether backed Fretilin in Timor, and lost. In Spanish Sahara, Russia just as completely backed Algeria, and its front, known as Polisario, and lost. In both instances the United States wished things to turn out as they did, and worked to bring this about. The Department of State desired that the United Nations prove utterly ineffective in whatever measures it undertook. This task was given to me, and I carried it forward with not inconsiderable success.
Daniel Patrick Moynihan
Ansara was sprinting up the tunnel, increasing the gap, but Moore was beginning to slow as he heard the thundering boots of men coming down the staircase behind them. He stopped, spun around, and dropped onto his belly as, lit by the flickering light from the tunnel entrance, a figure rushed forward, arm extended. For just a heartbeat Moore glimpsed his assailant's face: the cartel truck's driver.
Propped up on his elbows now, Moore fired once into the figure's chest, the round booting him sideways into the panels before he fell onto his back.
From behind him came two more men, the rest of the weapons-transfer crew, their Belgian-made cop-killer pistols flashing, the shots booming through the tunnel as one 5.7x28-millimeter round struck the pipe near Moore's elbow.
Tom Clancy
How shall I tell what I saw? The towers are not all broken - here and there one still stands, like a great tree in a forest, and the birds nest high. But the towers themselves look blind, for the gods are gone. I saw a fishhawk, catching fish in the river. I saw a little dance of white butterflies over a great heap of broken stones and columns. I went there and looked about me - there was a carved stone with cut - letters, broken in half. I can read letters but I could not understand these. They said UBTREAS. There was also the shattered image of a man or a god. It had been made of white stone and he wore his hair tied back like a woman's. His name was ASHING, as I read on the cracked half of a stone. I thought it wise to pray to ASHING, though I do not know that god.
Stephen Vincent Benét