![The big Other, the symbolic order, with a traumatic element at its very heart; and in Lacanian theory the fantasy is a construction allowing the subject to come to terms with this traumatic kernel. At this level the final moment of the analysis is defined as going through the fantasy [la traversée du fantasme]: not its symbolic interpretation but the experience of the fact that the fantasy-object, by its fascinating presence, is merely filling out a lack, a void in the Other. There is nothing behind the fantasy; the fantasy is a construction whose function is to hide this void, this nothing. (Slavoj Žižek)](https://cdn.quotesdtb.com/img/quotes_images_webp/85/slavoj-i-ek-analysis-742585.webp)
The big Other, the symbolic order, with a traumatic element at its very heart; and in Lacanian theory the fantasy is a construction allowing the subject to come to terms with this traumatic kernel. At this level the final moment of the analysis is defined as going through the fantasy [la traversée du fantasme]: not its symbolic interpretation but the experience of the fact that the fantasy-object, by its fascinating presence, is merely filling out a lack, a void in the Other. There is nothing behind the fantasy; the fantasy is a construction whose function is to hide this void, this nothing.
Slavoj ŽižekRelated topics
behind element experience fantasy final heart hide interpretation kernel lack moment nothing order presence traumaticRelated quotes
The Real is therefore simultaneously both the hard impenetrable kernel resisting symbolization and a pure chimerical entity which has in itself no ontological consistency. To use Kripkean terminology, the Real is the rock upon which every attempt at symbolization stumbles, the hard core which remains the same in all possible worlds (symbolic universes); but at the same time its status is thoroughly precarious; it is something that persists only as failed, missed, in a shadow, and dissolves itself as soon as we try to grasp it in its positive nature... like a traumatic event constructed backwards.
Slavoj Žižek
The wreck of the Titanic functions as a sublime object: a positive, material object elevated to the status of the impossible Thing. And perhaps all the effort to articulate the metaphysical meaning of the Titanic is nothing but an attempt to escape this terrifying impact of the Thing, an attempt to domesticate the Ting by reducing it to its symbolic status, by providing it with a meaning. We usually say that the fascinating presence of a Thing obscures its meaning; here, the opposite is true: the meaning obscures the terrifying impact of its presence.
Slavoj Žižek
Subsequent hearings have presented to the public a vapid and hollow charade, in which repetition of platitudes has replaced discussion of viewpoints and personal anecdotes have supplanted legal analysis. Such hearings serve little educative function, except perhaps to reinforce lessons of cynicism that citizens often glean from government. Neither can such hearings contribute toward an evaluation of the Court and a determination whether the nominee would make it a better or worse institution. A process so empty may seem ever so tidy - muted, polite, and restrained - but all that good order comes at great cost.
Elena Kagan
Reification, the essential tendency of capitalism, can never be wholly realized. If it were, if the system were actually able to change individuals into things moved only by economic "forces,” it would collapse not in the long run, but immediately. The struggle of people against reification is, just as much as the tendency towards reification, the condition for the functioning of capitalism. Capitalism can function only by continually drawing upon the genuinely human activity of those subject to it, while at the same time trying to level and dehumanize them as much as possible.
Cornelius Castoriadis
I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.
Camille Pissarro