I have such a passion for painting! I am continually working at form. In actual drawing and in my head, and during my sleep. Sometimes I think I shall go mad, this painful, sensual pleasures tires and torments me so much. Everything else vanishes, time and space, and I think of nothing but how to paint the head of the resurrected Christ... Or how shall I paint Minkchen [his wife Minna] now, with her knees drawn up and her head leaning on her hand against the yellow wall with her rose, or the sparkling light in the dazzling whiteness of the anti-aircraft shell-bursts in the leaden, sun drenched sky...
Max BeckmannRelated topics
christ dazzling draw everything form head light mad nothing now paint passion rose sky sleep space sparkling sun wall wife workingRelated quotes
A second sun blazed white and swelled visibly as he watched. What on Earth would have been-so many times had been-a climbing mushroom cloud was here in open space a perfect geometrical sphere, growing unbelievably. It swelled still larger, dropping from limelight white to to silvery violet, became blotched with purple, red and flame. And still it grew, until it blanked out the earth beyond it.
At the time it had been transformed into a radioactive cosmic cloud Circum-Terra had been passing over, or opposite, the North Atlantic; the swollen incandescent cloud was visible to most of the habitable portions of the globe, a burning symbol in the sky.
Robert A. Heinlein
Why, reader, truly, if they asked thee or me, Which way we meant to vote?-were it not our likeliest answer: Neither way! I, as a Tenpound Franchiser, will receive no bribe; but also I will not vote for either of these men. Neither Rigmarole nor Dolittle shall, by furtherance of mine, go and make laws for this country. I will have no hand in such a mission. How dare I! If other men cannot be got in England, a totally other sort of men, different as light is from dark, as star-fire is from street-mud, what is the use of votings, or of Parliaments in England?
Thomas Carlyle
Now, this... Mountain signified the Church of the living God; the Sun that shone thereon, the comfortable shining of his merciful Face on them that were therein; the Wall, I thought, was the Word, that did make separation between the Christians and the World; and the Gap which was in this Wall, I thought was Jesus Christ, who is the way to God the Father. But forasmuch as the Passage was wonderful narrow... it showed me that none could enter into Life, but those that were in downright earnest, and unless also they left this wicked World behind them; for here was only room for Body and Soul, but not for Body and Soul, and Sin.
John Bunyan
What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life...'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.
Georges Braque
There is an inside and an outside to every form. When they are in special accord, as for instance a nut in its shell or a child in the womb, or in the structure of shells or crystals, or when one senses the architecture of bones in the human figure, then I am most drawn to the effect of light. Every shadow cast by the sun from an ever-varying angle reveals the harmony of the inside to outside. Light gives full play to our tactile perceptions through the experience of our eyes, and the vitality of forms is revealed by the interplay between space and volume.
Barbara Hepworth