... Nothing is so simple as the subject matter of his works. The two greatest of his creations, the character of Satan and the character of Eve, are two of the simplest-the latter probably the very simplest-in the whole field of literature. On this side, Milton's art is classical. On the other hand, in no writer is the imagery more profuse, the illustrations more various, the dress altogether more splendid; and in this respect the style of his art seems romantic and modern. In real truth, however, it is only ancient art in a modern disguise: the dress is a mere dress, and can be stripped off when we will.-we all of us do perhaps in memory strip it off for ourselves.
Walter BagehotRelated topics
art character classical disguise dress eve field imagery matter memory mere nothing off perhaps real respect romantic side simple strip truth worksRelated quotes
He knew that this creature, though imperfect, though a mere creature, a mere figment of his own creative power, was yet in a manner more real than himself. For beside this concrete splendor what was he but a mere abstract potency of creation? Moreover in another respect the thing that he had made was his superior, and his teacher. For as he contemplated this the loveliest and subtlest of all his works with exultation, even with awe, its impact upon him changed him, clarifying and deepening his will. As he discriminated its virtue and its weakness, his own perception and his own skill matured. So at least it seemed to my bewildered, awe-stricken mind.
Olaf Stapledon
We do not, of course, write literary criticism at all now. Academe has won the battle in which Wilson fought so fiercely on the other side. Ambitious English teachers now invent systems that have nothing to do with literature or life but everything to do with those games that must be played in order for them to rise in the academic bureaucracy. Their works are empty indeed. But then, their works are not meant to be full. They are to be taught, not read. The long dialogue has broken down. Fortunately, as Flaubert pointed out, the worst thing about the present is the future. One day there will be no... But I have been asked not to give the game away. Meanwhile, I shall drop a single hint: Only construct!
Gore Vidal
I believe that communities which lack the feminine influence are apt to fall into abstraction and the madness of systems which, being false, require violence to put into practice. We have, alas, seen too many examples of this. A masculine civilization like that of ancient Greece perishes through politics, metaphysics, and vanity. Women alone can give these doctrinary drones a sense of the real and simple values of the hive. No true civilization is possible without the collaboration of the two sexes, but there can be no real collaboration unless the differences between the sexes are accepted and a mutual respect established.
André Maurois
By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste.
Alexis de Tocqueville
The person who is going to preach ought to live in the Christian thoughts and ideas: they ought to be his daily life. If so – this is the view of Christianity – then you, too, will have eloquence enough and precisely that which is needed when you speak extemporaneously without specific preparation. However, it is fallacious eloquence if someone, without otherwise occupying himself with, without living in these thoughts, once in a while sits down and laboriously collects such thoughts, perhaps in the field of literature, and then works them into a well-composed discourse, which is then committed to memory and delivered superbly, with respect both to voice and diction and gestures.
Soren Kierkegaard