![What was the truth for the painters of yesterday is but a falsehood today. We declare, for instance, that a portrait must not like the sitter... To paint a human figure, you must not paint it; you must render its surrounding [aura-like] atmosphere. Space no longer exists... Who can still believe in the opacity of bodies, since our sharpened and multiplied sensibilities has already penetrated the obscure manifestations of mediums? Why should we forget in our creations the doubled power of our sight, capable of giving analogous to those of X-rays? (Umberto Boccioni)](https://cdn.quotesdtb.com/img/quotes_images_webp/72/umberto-boccioni-atmosphere-believe-443772.webp)
What was the truth for the painters of yesterday is but a falsehood today. We declare, for instance, that a portrait must not like the sitter... To paint a human figure, you must not paint it; you must render its surrounding [aura-like] atmosphere. Space no longer exists... Who can still believe in the opacity of bodies, since our sharpened and multiplied sensibilities has already penetrated the obscure manifestations of mediums? Why should we forget in our creations the doubled power of our sight, capable of giving analogous to those of X-rays?
Umberto BoccioniRelated topics
atmosphere believe falsehood giving human instance longer paint portrait power should sight sitter space truth yesterday todayRelated quotes
God always was, and always is, and always will be. Or rather, God always Is. For Was and Will be are fragments of our time, and of changeable nature, but He is Eternal Being. And this is the Name that He gives to Himself when giving the Oracle to Moses in the Mount. For in Himself He sums up and contains all Being, having neither beginning in the past nor end in the future; like some great Sea of Being, limitless and unbounded, transcending all conception of time and nature, only adumbrated [intimated] by the mind, and that very dimly and scantily.
Gregory of Nazianzus
Every Christian should find for himself the imperative and incentive to become holy. If you live without struggle and without hope of becoming holy, then you are Christians only in name and not in essence. But without holiness, no one shall see the Lord, that is to say they will not attain eternal blessedness. It is a trustworthy saying that Jesus Christ came into the world to save sinners (I Tim. 1:15). But we deceive ourselves if we think that we are saved while remaining sinners. Christ saves those sinners by giving them the means to become saints.
Philaret Drozdov
What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life...'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.
Georges Braque
Among the many senses that modern painters have lost, we must number the sense of architecture. The edifice accompanying the human figure, whether alone or in a group, whether in a scene from life or in an historical drama, was a great concern of the ancients. They applied themselves to it with loving and severe spirit, studying and perfecting the laws of perspective. A landscape enclosed in the arch of a portico or in the square or rectangle of a window acquires a greater metaphysical value, because it is solidified and isolated from the surrounding space. Architecture completes nature.
Giorgio de Chirico
There is an inside and an outside to every form. When they are in special accord, as for instance a nut in its shell or a child in the womb, or in the structure of shells or crystals, or when one senses the architecture of bones in the human figure, then I am most drawn to the effect of light. Every shadow cast by the sun from an ever-varying angle reveals the harmony of the inside to outside. Light gives full play to our tactile perceptions through the experience of our eyes, and the vitality of forms is revealed by the interplay between space and volume.
Barbara Hepworth